Dr Fiona Bannon
Tutor information is taken from the Module Catalogue
Bannon, F, 2004. ‘Towards creative practice in research in dance education’. Research in dance education. Vol 5, Number 1, Pp25- 43.
Barrett, E and B. Bolt (2007) Practice as research : approaches to creative arts enquiry, Melbourne: I.B.Tauris, pp.1 – 7
Claxton, G. 2006, ‘Creative Glide Space’ Navigating the unknown : the creative process in contemporary performing arts (eds.) Bannerman, C and Sofaer, J and Watt, s, pp58- 69. Available as an Online Course Reading in the VLE
Denzin, N, K, 2003. Performance ethnography : critical pedagogy and the politics of culture Chp 5. ‘Reading and Writing Performance’ pp106- 130. Available as an Online Course Reading in the VLE
Denzin . N. K and Lincoln, Y. S. ‘SAGE Handbook of Qualitative Research’ ( 2nd edition) Chp 13 The Choreography of Qualitative Research Design pp- 379- 399. Available as an Online Course Reading in the VLE
Gray, C and Malins, J, 2004. Visualizing research : a guide to the research process in art and design Chp 1 -Planning the Journey: Introduction to research in art and design Aldershot: Ashgate -pp 9 – 34.
Haseman, B and Mafe, D 2009. ‘Acquiring Know-How: Research Training for Practice–led Researchers’ in Practice-led research, research-led practice in the creative arts. (eds.) Smith, H and Roger, T Dean Edinurgh uni Press. Pp211- 228.
Ingold , T, 2006, ‘Rethinking the Animate, re-animating thought’ Ethnos, 7.1; 1, 9-20.
Jones, Simon, 2009. ‘Practice-as-Research as a paradigm shift in performance studies in Practice-as-research : in performance and screen. (eds) Allegue, L, Jones, S and Kershaw, B and Piccini, A, Palgrave pp 19-32. Available as an Online Course Reading in the VLE
Kershaw, Baz (2002), Performance, memory, heritage, history, spectacle - The Iron Ship, Studies in theatre and performance. 21 (3): 132-149
McKinney , J (2005) ‘Projection and Transaction: the spatial operation of scenography’ in Performance research : a journal of performing arts. 10 (4), pp.128 - 137. Available as an Online Course Reading in the VLE
Moustakas, C (1994) Phenomenological research methods (Thousand Oaks, Calif: Sage Publications)
Nelson, R (2006) ‘Practice-as-research and the Problem of Knowledge’ in Performance research : a journal of performing arts. 11(4), pp. 105 -116
Piccini, A (2004) ‘An Historiographic Perspective on Practice as Research’ Studies in theatre and performance. 23 (3): 191 -207
Polanyi, M (1983) The tacit dimension (Gloucester, Mass: Peter Smith)
Popat, S and Palmer, S (2005) ‘Creating common ground: dialogues between performance and digital technologies’, International journal of performance arts and digital media. 1(1), pp 47-65
Richardson, L, ‘Skirting a pleated text: de-stabilising an Academic Life’ pp 1- 11. In, Nagy Hesse- Biber, S and Leavy, P (eds) Emergent methods in social research. 2006 – Sage Available as an Online Course Reading in the VLE
Rubidge, S. 2009 “Performing Installations: Towards an understanding of choreography and performativity in interactive installations” .in Contemporary choreography : a critical reader eds. Joanne Butterworth & Liesbeth Wildschut, London. Routledge, pp. 362 - 378. Available as an Online Course Reading in the VLE
Rubidge, S. 2009 “The Technological Poetics of global drifts” in Tedance : perspectivas sobre dança em expansão tecnológica : perspectives on technologically expanded dance, ed. Daniel Tercio, Lisbon Faculdade da Motoricite Humana, pp. 119 - 137
Rubidge, S. 2007 “Sensuous Geographies and other installations: Interfacing the Body and Technology” in Performance and technology : practices of virtual embodiment and interactivity, , ed. Susan Broadhurst, London, Palgrave
Rubidge,S. 2002 “Identity and Flux”: in Dance and the performative : a choreological perspective -Laban and beyond, eds. V Preston Dunlop and A Sanchez Colberg, London,Verve Publishing
Schön, Donald A. 1983. The Reflective Practitioner: How Professionals Think in Action. Temple Smith.
Seeley, C and Reason, P. 2008, ‘Expressions of Energy: An Epistemology of Presentational Knowing’ Chp 2 in Knowing differently : arts-based and collaborative research methods. Liamputtong, P and Rumbod, J, 2008. Nova Science Pub pp 25- 46. Available as an Online Course Reading in the VLE
Shepherd, Simon and Wallis, Mick (2004): Drama/theatre/performance (London: Routledge)
Trimingham, M ( 2002) 'A Methodology for Practice as Research' Studies in theatre and performance. 22 (1): 54-60.
This list was last updated on 13/12/2011