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MUSS2520
General reading

Aesthetics and Criticism, 2019/20, Semester 1, 2
Dr Matthew Pritchard
M.Pritchard1@leeds.ac.uk
Tutor information is taken from the Module Catalogue

J. M. Bernstein (ed.), Classic and Romantic German Aesthetics (Cambridge: Cambridge University Press, 2003)

Andrew Bowie, part III (“Aesthetics: 1750-2000”) of New Grove article, “Philosophy of music” (New Grove online)

Wayne D. Bowman, Philosophical Perspectives on Music (New York: Oxford University Press, 1998)

Carl Dahlhaus, Esthetics of Music, trans. William Austin (Cambridge: Cambridge University Press 1982)

Stephen Downes, ed., Aesthetics of Music: Musicological Perspectives (Abingdon: Routledge, 2014)

Enrico Fubini, The History of Music Aesthetics, trans. Michael Hatwell (London: Macmillan, 1991)

Andy Hamilton, Aesthetics and Music (London: Continuum 2007)

Peter le Huray and James Day (eds.), Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries (Cambridge: Cambridge University Press, 1981)

Ruth Katz and Carl Dahlhaus (eds.), Contemplating Music: Source Readings in the Aesthetics of Music, 4 vols. (New York: Pendragon Press, 1987-1993)

Edward Lippman, A History of Western Musical Aesthetics (Lincoln: University of Nebraska Press, 1992)

Roger Scruton, The Aesthetics of Music (Oxford: Clarendon 1999)

Oliver Strunk, ed., rev. Leo Treitler, Source Readings in Music History (New York: W. W. Norton 1998)

This list was last updated on 16/10/2019