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MUSS3321 Module Reading List

Performance Platform, 2019/20, Semester 1
Prof Michael Allis
Tutor information is taken from the Module Catalogue

Burton, Anthony (ed.), A Performer’s Guide to Music of the Baroque Period (London: ABRSM Publishing, 2002)

 ---, A Performer’s Guide to Music of the Classical Period (London: ABRSM Publishing, 2002)

 ---, A Performer’s Guide to Music of the Romantic Period (London: ABRSAM Publishing, 2002)

 Brown, Clive, Classical and Romantic Performing Practice 1750-1900 (Oxford: Oxford University Press, 1998)

 Dart, Thurston, The Interpretation of Music (London: Hutchinson's Musical Library, 1954)

 Hamilton, Andy, Lee Konitz : conversations on the improviser's art (Ann Arbor: University of Michigan Press, 2007)

 Karkoschka, Erhard, Notation in new music : a critical guide to interpretation and realisation (Tonbridge: Universal Edition, 1972)

 Lawson, Colin, and Robin Stowell, The historical performance of music : an introduction (Cambridge: Cambridge University Press, 1999)

 Levine, Mark, The jazz theory book (Petaluma: Sher Music, 1995)

 Macdonald, Robert, and Caro Ness, Secrets of Alexander technique (London: Dorling Kindersley, 2001)

 Philip, Robert, Early recordings and musical style : changing tastes in instrumental performance, 1900-1950 (Cambridge: Cambridge University Press, 1992)

 ---, Performing music in the age of recording (New Haven: Yale University Press, 2004)

 Rink, John (ed.), The Practice of Performance: Studies in Musical Interpretation (Cambridge: Cambridge University Press, 1995)

 ---, Musical performance : a guide to understanding (Cambridge: Cambridge University Press, 2002)

 Werner, Kenny, Effortless mastery : liberating the master musician within (New Alberny: Jamey Aebersold Jazz, 1996)

 Wolff, Konrad, The teaching of Artur Schnabel : a guide to interpretation. (New York: Praeger, 1972)

This list was last updated on 11/09/2019