Dr Jonathan Price
Tutor information is taken from the Module Catalogue
Bilton, C. 2007. Management and creativity : from creative industries to creative management. Oxford: Blackwell.
Brindle, M. and DeVereaux, C. (eds.). 2011. The arts management handbook : new directions for students and practitioners. New York; London: M.E. Sharpe.
Cain, S. 2013. Quiet : the power of introverts in a world that can't stop talking. London: Penguin.
Chong, D. 2010. Arts Management. London, Routledge.
Hagoort, G. 2005. Art Management: entrepreneurial style. 5th ed. Delft: Eburon.
Henry, C. (ed.) Entrepreneurship in the creative industries : an international perspective. Cheltenham: Edward Elgar.
Kotter, J.P. 2012. Leading change. Boston, MA: Harvard Business Review Press.
Sargeant, A. and Jay. E. 2010. Fundraising management : analysis, planning and practice. 2nd ed. London: Routledge.
Varbanova, L. 2013. Strategic management in the arts. Abingdon: Routledge.
Walmsley. B. ed. 2011. Key issues in the arts and entertainment industry. Oxford: Goodfellow.
Articles, reports and book chapters
Baxer, J., Dempsey, J., Megone, C. and Jongseok, L. 2012. Real integrity: practical solutions for organisations seeking to promote and encourage integrity. Leeds: University of Leeds. http://www.icaew.com/~/media/corporate/files/technical/ethics/real%20integrity%20full%20report.ashx
Bolton, M., Cooper, C. Antrobus, C., Ludlow, J. and Tebbutt, H. 2011. Capital matters: how to build financial resilience in the UK’s arts and cultural sector. London: Mission Models Money. http://www.missionmodelsmoney.org.uk/sites/default/files/46810131-Capital-Matters-final_1.pdf
Bound, K., Briggs, R., Holden, J. and Jones, S. 2007. Culture is a central component of international relations. It’s time to unlock its full potential. London: Demos.http://www.demos.co.uk/files/Cultural%20diplomacy%20-%20web.pdf
Clarke, D. 2014. Theorising the role of cultural products in cultural diplomacy from a Cultural Studies perspective. The international journal of cultural policy. [Online].
Colbert, F. 2011. Management of the arts. In: Towse, R. (ed.). A handbook of Cultural Economics. Cheltenham: Edward Elgar, pp.261–265.Fleming, T. 2007. Investment and funding for creative enterprises in the UK. In: Henry, C. (ed.). Entrepreneurship in the creative industries : an international perspective. Cheltenham: Edward Elgar, pp.107–125.
Gattinger, M. and Saint-Pierre, D. 2008. Can national cultural policy approaches be used for subnational comparisons? An analysis of the Quebec and Ontario experiences in Canada. The international journal of cultural policy.. 14(3), pp.335–354.
Holden, J. 2011. Current issues in cultural and strategic leadership. In: Walmsley, B. (ed.). Key issues in the arts and entertainment industry. Oxford: Goodfellow, pp.179–193.
Hotho, S. and Champion, K. 2011. Small businesses in the new creative industries: innovation as a people management challenge. Management decision., 49(1), pp.29–54.
Katz, S. and Karl, B. D. 1987. Foundations and ruling class elites. Daedalus.. 116(1), pp.1–40.
Knell, J. 2007. The art of living: a provocation paper. London: Mission Models Money. http://www.missionmodelsmoney.org.uk/sites/default/files/23974645-The-Art-of-Living-by-John-Knell-2007_0.pdf
Leicester, G. 2007. Rising to the occasion: cultural leadership in powerful times. London: Mission, Models Money. http://www.missionmodelsmoney.org.uk/sites/default/files/23974676-Rising-to-the-Occasion-by-Graham-Leicester-2007_0.pdf
Peacock, D. 2008. Making ways for change: museums, disruptive technologies and organisational change. Museum management and curatorship.. 23(4), pp.333–351.
Robinson, M. 2010. Making adaptive resilience real. London: Arts Council England.http://www.artscouncil.org.uk/media/uploads/making_adaptive_resilience_real.pdf
Tusa, J. 2014. Pain in the arts. London: I.B. Tauris.
Tusa, J. 2007. Engaged with the arts : writings from the frontline. London: I.B. Tauris.
Walmsley, B. 2014. Arts and cultural management. In: Moss, S. and Walmsley, B. (eds.). Entertainment management : towards best practice. Wallingford: CABI, pp.157–173.
Walmsley, B. 2013. Whose value is it anyway? A neo-institutionalist approach to articulating and evaluating artistic value. Journal of arts and communities. 4(3), pp.199–215.
This list was last updated on 22/10/2014