Tutor information is taken from the Module Catalogue
Aiello, G. and Parry, K. (2019). Visual Communication: Understanding Images in Media Culture. London: Sage.
Barthes, R. (1964/1977). “Rhetoric of the image” (pp. 32-51). In Image, music, text New York: Hill and Wang.
Bell, P. (2001). “Content analysis of visual images”. In Van Leeuwen, T., and Jewitt, C., (eds.) Handbook of visual analysis, London: Sage
Blair, C., and Michel, N. (2008). “Reproducing civil rights tactics: the rhetorical performances of the Civil Rights Memorial” (pp. 139-156). In L. C. Olson, C. A. Finnegan and D. S. Hope (Eds), Visual rhetoric : a reader in communication and American culture. Los Angeles: Sage.
Berger, J. (1977). Ways of seeing : based on the BBC television series with John S. Berger. London: Penguin.
Berger, A.A. (1998)Seeing is believing : an introduction to visual communication: (2nd edition), pp. 31-50. Mountain View, CA: Mayfield.
Bordwell, D., and Thompson, K. (2004). “The relation of shot to shot: editing” (pp. 294-346). In Film Art: An Introduction.Madison, WI: McGraw-Hill.
Extract available as an Online Course Reading in the VLE
Chmielewska, E. (2005). "Logos or the Resonance of Branding: A Close Reading of the Iconosphere of Warsaw". Space and culture., (8)4, 349-380.
de Saint-Georges, I., & Morris, S. (2000). “Nationality and the European Union: competing identities in the visual design of four European cities”. Visual studies., 15(1), 65-78.
Dickinson, G. (2002). “Joe’s rhetoric: Starbucks and the spatial rhetoric of authenticity”. Rhetoric Society Quarterly32, pp. 5-28.
Finnegan, C. (2008). “Recognizing Lincoln: image vernaculars in nineteenth-century visual culture” (pp. 61-78). In L. C. Olson, C. A. Finnegan and D. S. Hope (Eds), Visual rhetoric : a reader in communication and American culture. Los Angeles: Sage.
Frosh, P. (2003). Shooting for success: stock photography and the production of culture. Chapter 3 of The image factory : consumer culture, photography and the visual content industry Oxford: Berg.
Chapter 3 available as an Online Course Reading in the VLE.
Gendelman, I. and Aiello, G. (2010). “Faces of places: façades as global communication in Post-Eastern Bloc urban renewal”, in Adam Jaworski and Crispin Thurlow (Eds), Semiotic landscapes : language, image, space. London: Continuum.
Gendelman, I., Dobrowolsky, T. and Aiello, G. (2010). “Urban Archives: public memories of everyday places”, in Jeff Hou (Ed.), Insurgent public space : guerrilla urbanism and the remaking of contemporary cities. London: Routledge.
Extract available as an Online Course Reading in the VLE.
Gombrich, E.H. (1982) ‘Moment and Movement in Art’, in The image and the eye : further studies in the psychology of pictorial representation, pp. 40–62. Oxford: Phaidon.
Hall, S. (1997b). The spectacle of the ‘other’. In S. Hall (Ed.), Representation : cultural representations and signifying practices(pp. 223–90). London: Sage.
Extract available as an Online Course Reading in the VLE.
Hochberg, J. (1972) ‘The Representation of Things and People’, in E.H. Gombrich, J. Hochberg and M. Black (eds) Art, perception and reality, pp. 47–94. Baltimore, MD: Johns Hopkins University Press.
Iedema, Rick (2001). “Analysing film and television: a social semiotic account of Hospital: An unhealthy business”. In Van Leeuwen, T., and Jewitt, C., (eds.) Handbook of visual analysis, London: Sage
Jewitt, Carey (2009). “Introduction: What is Multimodality?”. In Carey Jewitt (Ed.), The Routledge handbook of multimodal analysis. London: Routledge.
Jewitt, C., and Oyama, R. (2001). “Visual meaning: a social semiotic approach”. In Van Leeuwen, T., and Jewitt, C., (eds.) Handbook of visual analysis, London: Sage
Koller, V. (2008). “`Not just a colour': pink as a gender and sexuality marker in visual communication”, Visual communication., 7(4), pp. 395-423.
Kress, G. (2010). “Design and arrangements: Making meaning material”. Chapter 7 of Multimodality : a social semiotic approach to contemporary communication London: Routledge.
Kress, G., and van Leeuwen, T. (2002). “Colour as a semiotic mode: notes for a grammar of colour”. Visual communication., 1(3), pp. 343-368.
Kress, G., and Van Leeuwen, T. (2006). Reading Images: The Grammar of Visual Design. Chapters 4, 5, 6.
Leaver, T., Highfield, T. and Abidin, C. (2019) Instagram: Visual Social Media Cultures. Cambridge: Polity Press
Ledin, P. and Machin, D. (2018). Doing Visual Analysis: From Theory to Practice. London: Sage.
Lister, M., and Wells, L. (2001). “Seeing beyond belief: Cultural Studies as an approach to analysing the visual”. In Handbook of visual analysis, eds., T. van Leeuwen, and C. Jewitt. London: Sage.
Lutz, C. A., & Collins, J. L. (1993). “A world brightly different: Photographic conventions, 1950-1986”. In Reading National geographic (pp. 87-117). Chicago: The University of Chicago Press.
Machin, D. (2004). Building the world’s visual language: The increasing global importance of image banks in corporate media. Visual communication, 3(3), pp. 316–336.
Pauwels, L. and Mannay, D. (eds.). (2020) The SAGE Handbook of visual research methods. Los Angeles: Sage
Pennycook, A.D. (2010). “Spatial Narrations: Graffscapes and City Souls”. In Adam Jaworski and Crispin Thurlow (Eds), Semiotic landscapes : language, image, space New York: Continuum International Publishing Group, pp. 137-150.Extract available as an Online Course Reading in the VLE.
Stewart, J. and Dickinson, G. (2008) “Enunciating Locality in the Postmodern Suburb: FlatIron Crossing and the Colorado Lifestyle.” Western journal of communication 72, pp. 280–307.
Thurlow, C., and Aiello, G. (2007). “National pride, global capital: a social semiotic analysis of transnational visual branding in the airline industry”. Visual communication. 6(3), pp. 305-344.
van Dijck, J. (2007). “Pictures of life, living pictures”. Chapter 5 of Mediated memories in the digital age(pp. 98-121). Stanford University Press.
Chapter 5 available as an Online Course Reading in the VLE.
van Leeuwen, T. (2001). “Semiotics and iconography”. In Van Leeuwen, T., and Jewitt, C., (eds.) Handbook of visual analysis, London: Sage
Van Leeuwen, T. (2005). “Typographic meaning”. Visual communication., 4(2), pp. 137–43.
Van Leeuwen, T. (2006). 'Towards a semiotics of typography'', Information design journal. vol. 14, no. 2, pp. 139-155
Van Leeuwen, Theo (2009). “Materiality and Meaning: A Social Semiotic Approach”. In Carey Jewitt (Ed.), The Routledge handbook of multimodal analysis. London: Routledge.
This list was last updated on 03/12/2020