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MUSS5830M Reading List

Live Music Management and Promotion, 2021/22
Silviu Cobeanu
Tutor information is taken from the Module Catalogue

Allen, P., (2015). Artist management for the music business. (3rd ed.) London, United Kingdom: Focal Press

Anderton, C., Dubber, A. and James, M. (2013). Understanding the music industries . London, Sage

Bowdin, G., Allen, J., & Harris, R. (2012). Events management. New York, NY, United States: Taylor & Francis.

Baumann, D. (2011). Music and space [electronic resource] : a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah . Bern: Peter Lang.

Beech, P. (2017). Organising music [electronic resource] : theory, practice, performance . [S.l.]: CAMBRIDGE UNIV PRESS.

Bernstein, J. (2014). Standing Room Only [electronic resource] : Marketing Insights for Engaging Performing Arts Audiences. . New York: Palgrave Macmillan  

Cloonan, M., Brennan, M. and Frith, S. (2013). The history of live music in Britain. v.1, 1950-1967 : from dance hall to the 100 Club , United Kingdom: Ashgate Publishing.

Frascogna, X. M., & Hetherington, L. H. (2004). This business of artist management (4th ed.). New York: Watson-Guptill Publications.

Glass, R. and Passman, D. (2014). All you need to know about the music business. 8th ed. London, United Kingdom: Viking.

Harrison A, (2011). Music - the business : the essential guide to the law and the deals. (5th ed). London: Virgin

Heding, T., Knudtzen, C., & Bjerre, M. (2016). Brand management : research, theory and practice . London: Routledge

Jones, M. L., (2012) The music industries : from conception to consumption . Basingstoke, Palgrave Macmillan

Kapferer, J. (2012). The new strategic brand management : advanced insights and strategic thinking . London, Kogan Page

Kolb, B. M. (2013). Marketing for cultural organizations : new strategies for attracting and engaging audiences (3rd ed.). New York, NY: Routledge.

Kotler, P., & Armstrong, G. (2011). Principles of marketing (14th ed.). Boston: Pearson Prentice Hall.

Matthews, D. (2009a). Special event production. The process . Amsterdam: Elsevier Butterworth-Heinemann.

Matthews, D. (2009b). Special event production. The resources . Amsterdam: Elsevier Butterworth-Heinemann.

O'Reilly D., (2010). Marketing the arts : a fresh approach . New York: Routledge.

O'Reilly D., (2013). The Routledge companion to arts marketing. London: Routledge.

O'Reilly D., Larsen G., Kubacki K. (2013). Music, markets and consumption . Oxford: Goodfellow

Radbill C.F., (2017). Introduction to the music industry : an entrepreneurial approach. (2nd ed.) New York, London; Routledge 

Rogan, J. (1989). Starmakers and Svengalis . London: Futura.

Russell, D. (1997). Popular music in England, 1840-1914. Manchester: Manchester University.

Rutter, P. (2016). The music industry handbook. (2nd ed.). London: Routledge

Strasser, R. (2010). Music business : the key concepts . London, New York: Routledge

Tillman, J.(2016). Experiencing music - restoring the spiritual : music as well-being . Bern, Peter Lang

Varbanova, L. (2012). Strategic management in the arts . New York: Routledge.

Vasey, J. (1997). Concert tour production management : how to take your show on the road : how to take your show on the road. Boston, MA: Focal Press.

Waddell, R. D., Barnet, R. D., & Berry, J. (2007). This business of concert promotion and touring : a practical guide to creating, selling, organizing, and staging concerts (this business of). New York: Crown Publishing Group.

Weber, W. (2008) The great transformation of musical taste : concert programming from Haydn to Brahms . Cambridge University Press

This list was last updated on 22/01/2021