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PECI5407M
Module Reading List

Digital and Intermedial Storytelling, 2021/22, Semester 2
Dr Campbell Edinborough
c.edinborough@leeds.ac.uk
Tutor information is taken from the Module Catalogue

Alexander. (2017). The new digital storytelling : creating narratives with new media (Revised and updated edition.). Praeger, an Imprint of ABC-CLIO, LLC.  

Alston, Adam. 2016.Beyond Immersive TheatrePalgrave Macmillan.

Aronson. Arnold. 2018. The History and Theory of Environmental Scenography. 2nd edition. London: Bloomsbury Methuen

Bishop, Claire (2012) Artificial Hells: Participatory Art and the Politics of Spectatorship, London: Verso

Dixon. (2007). Digital performance : a history of new media in theater, dance, performance art, and installation . MIT Press.  

Harvie, Jen. (2013), Fair play : art, performance and neoliberalism, Basingstoke: Palgrave Macmillan.

Lundby. (2008). Digital storytelling, mediatized stories : self-representations in new media . P. Lang.

Machon, J (2013) Immersive Theatres : intimacy and immediacy in contemporary performance Basingstoke: Palgrave Macmillan. 

Mack, & Ratcliffe, M. (2007). Podcasting Bible. Wiley. 

McKinney, Joslin and Scott Palmer (eds). (2017).Scenography expanded : an introduction to contemporary performance design. London: Bloomsbury Methuen.

Miller. (2014). Digital storytelling : a creator’s guide to interactive entertainment (Third edition.). Focal Press.  

Pearson, Mike (2010) Site-specific performancePalgrave Macmillan 

Sedgeman, & McGrath, J. E. (2016). Locating the audience : how people found value in National Theatre Wales . Intellect Books.

White, Gareth (2013) Audience Participation in Theatre: Aesthetics of the Invitation Basingstoke: Palgrave Macmillan

This list was last updated on 04/01/2022