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PECI5406M
Narrative Perspectives in Practice Reading List

Narrative Perspectives in Practice, 2021/22, Semester 1
Dr Campbell Edinborough
c.edinborough@leeds.ac.uk
Tutor information is taken from the Module Catalogue

Aristotle., Longinus, Demetrius., Fyfe, W. H., Halliwell, S., Innes, D., Roberts, W. R., & Russell, D. A. (1995). Poetics (New edition / revised by Donald A. Russell.). Harvard University Press.  

Ashcroft, B., Griffiths, G., & Tiffin, H. (2002). The empire writes back : theory and practice in post-colonial literatures (Second edition.). Routledge.

Bal, M. (2017). Narratology : introduction to the theory of narrative (Fourth edition.). University of Toronto Press.

Bruner, J. S. (1986). Actual minds, possible worlds . Harvard University Press.

Field, S. (2005). Screenplay : the foundations of screenwriting (Revised edition.). Delta Trade Paperbacks.

Genette, G. (1980). Narrative discourse : an essay in method . Cornell University Press.  

Genette, G. (1990). Narrative discourse revisited. Cornell University Press.  

Goldie, P. (2012). The mess inside narrative, emotion, and the mind (1st ed.). Oxford University Press.

Grimm, J., Grimm, W., Zipes, J., & Dezsö, A. (2014). The original folk and fairy tales of the brothers grimm: the complete first edition (1st ed.). Princeton University Press.  

Hallaq, W. (2018). Restating Orientalism: A Critique of Modern Knowledge. Columbia University Press. https://doi.org/10.7312/hall18762

Halliwell, S. (2002). The aesthetics of mimesis : ancient texts & modern problems . Princeton University Press.

Herman, D. (2007). The Cambridge Companion to Narrative. Cambridge University Press. https://doi.org/10.1017/CCOL0521856965

Lehmann, H.-T. (2006). Postdramatic theatre . Routledge.

Liveley, G. (2019). Narratology (First Edition.). Oxford University Press.  

Lorde, A., & Lorde, A. (2018). The master’s tools will never dismantle the master’s house . Penguin Books.

McKee, R. (1998). Story : substance, structure, style, and the principles of screenwriting . Methuen.

Morrison, T. (1993). Playing in the dark : whiteness and the literary imagination (First Vintage Books edition.). Vintage Books.

Nelson, K. (1989). Narratives from the crib . Harvard University Press.

Nunes, N., Oakley, I., & Nisi, V. (2017). Interactive Storytelling : 10th International Conference on Interactive Digital Storytelling, ICIDS 2017 Funchal, Madeira, Portugal, November 14-17, 2017, Proceedings (1st ed. 2017.). Springer,International Publishing. https://doi.org/10.1007/978-3-319-71027-3

Pascal, R. (1977). The dual voice : free indirect speech and its functioning in the nineteenth-century European novel . Manchester University Press [etc.].

Puckett, K. (2016). Narrative theory : a critical introduction . Cambridge University Press.

Propp, V. I. (Vladimir I., & Liberman, A. (1984). Theory and history of folklore . University of Minnesota Press.

Said, E. W. (1994). Orientalism ([New edition].). Vintage Books.

Sedgeman, K., & McGrath, J. E. (2016). Locating the audience : how people found value in National Theatre Wales . Intellect Books.

Snyder, B. (2005). Save the Cat: The Last Book on Screenwriting You’ll Ever Need. Michael Wiese Productions.  

Sophocles, Ahrensdorf, P. J., & Pangle, T. L. (2013). The Theban plays. Cornell University Press.   

Tierno, M. (2002). Aristotle’s poetics for screenwriters : storytelling secrets from the greatest mind in western civilization . Hyperion.

Verstraten, P., & Lecq, S. van der. (2009). Film narratology . University of Toronto Press.

Walmsley, B. (2019). Audience engagement in the performing arts : a critical analysis . Palgrave Macmillan

Zipes, J. (1994). Fairy tale as myth, myth as fairy tale . University of Kentucky Press.

Zipes, J. (2006). Fairy tales and the art of subversion : the classical genre for children and the process of civilization (2nd ed.). Routledge.


 

This list was last updated on 27/08/2021