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ARTF2059
ARTF2059 Module Reading List

The Grand Tour: travels, excavations, collections, 2021/22, Semester 2
Kerry Bristol
k.a.bristol@leeds.ac.uk
Tutor information is taken from the Module Catalogue

A Dictionary of British and Irish Travellers in Italy, 1701-1800, compiled from the Brinsley Ford archive by John Ingamells (New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 1997) 

Adams, Percy, Travelers and Travel Liars (London: Constable, 1980)

Angelicoussis, Elizabeth, Reconstructing the Lansdowne Collection of Classical Marbles, 2 vols (Munich: Himer, 2017), I, pp. 1-63   Available as an Online Course Reading in Minerva Chapter 1.

Chapter 2. Available as an Online Course Reading in Minerva

Chapter 3. Available as an Online Course Reading in Minerva

Chapter 4. Available as an Online Course Reading in Minerva

Chapter 5. Available as an Online Course Reading in Minerva

Chapter 6. Available as an Online Course Reading in Minerva

Angelicoussis, Elizabeth, The Holkham Collection of Classical Sculpture (Heidelberg: University Library, 2016)  

Angelicoussis, Elizabeth, The Holkham Hall Sculptures. A Guide and Catalogue (London: privately printed, 1997)  

Angelicoussis, Elizabeth, The Woburn Abbey Collection of Classical Antiquities (Mainz: Verlag Philipp von Zabern, 1992), pp. 11-43   Available as an Online Course Reading in Minerva 

Art in Rome in the Eighteenth Century, ed. by Edgar Peters Bowron and Joseph J. Rishel (Philadelphia: Philadelphia Museum of Art, 2000)

Aymonino, Adriano, ‘‘The true style of antique decoration’: Agostino Brunias and the birth of the Adam style at Kedleston Hall and Syon House’, in Robert Adam and his Brothers. New Light on Britain’s Leading Architectural Family, ed. by Colin Thom (Swindon: Historic England, 2019), pp. 104-122

Ayres, Phillip, Classical Culture and the Idea of Rome in Eighteenth-Century England (Cambridge: Cambridge University Press, 1997)

Batten, Charles L., Pleasurable Instruction. Form and Convention in Eighteenth-Century Travel Literature (Berkeley, Los Angeles and London: University of California Press, 1978)

Beddington, Charles, Venice: Canaletto and His Rivals (London: National Gallery, 2010), pp. 12-53   Available as an Online Course Reading in Minerva  

Bignamini, Ilaria and Clare Hornsby, Digging and Dealing in Eighteenth-Century Rome, 2 vols (New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2010), I, pp. 194-221   Available as an Online Course Reading in Minerva  

Bignanini, Ilaria, ‘British Excavations in the Papal States During the Eighteenth Century: Written and Visual Sources’, in Archives and Excavations. Essays on the History of Archaeological Excavations in Rome and Southern Italy from the Renaissance to the Nineteenth Century, ed. by Ilaria Bignanini (London: British School at Rome, 2004), pp. 91-108   Available as an Online Course Reading in Minerva  

Black, Jeremy, Italy and the Grand Tour (New Haven and London: Yale University Press, 2003)

Black, Jeremy, The British Abroad: the Grand Tour in the Eighteenth-Century (Stroud: Sutton, 2003), pp. 14-85 Available as an Online Course Reading in Minerva  

Bowron, Edgar Peters, Pompeo Batoni: a complete catalogue of his paintings (New Haven: Yale University Press in association with The Museum of Fine Arts, Houston, The Paul Mellon Centre for Studies in British Art, London, 2016)

Bowron, Edgar Peters and Peter Bjorn-Kurber, Pompeo Batoni: Prince of Painters in Eighteenth-Century Rome (New Haven and London: Yale University Press, 2008), pp. 37-87 and endnotes   OCR REQUESTED BY LIBRARY (AJ 10/01/2022)  

Bowron, Edgar Peters and Joseph Rishel, Art in Rome in the Eighteenth Century (Philadelphia: Philadelphia Museum of Art in association with Merrell, 2000)

Brewer, John, ‘Whose Grand Tour?’, in The English Prize: The Capture of the Westmorland, An Episode of the Grand Tour, ed. by Maria Dolores Sánchez-Jáuregui and Scott Wilcox (New Haven and London: Yale University Press, 2012), pp. 44-61   Available as an Online Course Reading in Minerva  

Bromburg, Ruth, Canaletto’s Etchings: a catalogue and study illustrating and describing the known states, including those hitherto unrecorded (London: Sotheby Parke Bernet, 1974)

Cassidy, Brendan, The Life & Letters of Gavin Hamilton (1723-1798): Artist & Art Dealer in Eighteenth-Century Rome, 2 vols (London: Harvey Miller, 2011)

Cesareo, Antonello, ‘New Portraits of Thomas Jenkins, James Byres and Gavin Hamilton’, Burlington Magazine, 153 (October 2011), 661-664. See also ‘Corrections: New Portraits of Thomas Jenkins, James Byres and Gavin Hamilton’, 153 (December 2011), 856

Ceserani, Giovanna, Italy’s Lost Greece: Magna Graecia and the Making of Modern Archaeology (Oxford and New York: Oxford University Press, 2021)

Chaney, Edward, The Evolution of the Grand Tour: Anglo-Italian Cultural Relations since the Renaissance (London: Frank Cass, 1998)

Chaney, Edward and Timothy Wilks, The Jacobean Grand Tour: Early Stuart Travellers in Europe (London: I.B. Tauris, 2013)

Clark, Anthony M., ‘The Development of the Collections and Museums of 18th Century Rome’, Art Journal, 26:2 (Winter 1966-1967), 136-143

Chard, Chloe, Pleasure and Guilt on the Grand Tour: travel writing and imaginative geography, 1600-1830 (Manchester: Manchester University Press, 1999)

Chard, Chloe and Helen Langdon, Transports. Travel, Pleasure and Imaginative Geography 1600-1830 (New Haven and London: Yale University Press, 1996)

Coen, Paolo, The Art Market in Rome in the Eighteenth Century: A Study in the Social History of Art, 5, ed. by Paolo Coen (Leiden and Boston: Brill, 2019)

Coen, Paolo, ‘Andrea Casali and James Byres: The Mutual Perception of the Roman and British Art Markets in the Eighteenth Century’, Journal for Eighteenth-Century Studies, 34:3 (2011), 291-313

Collins, Jeffrey, ‘A Nation of Statues: Museums and Identity in Eighteenth-Century Rome’, in Architectural Space in Eighteenth-Century Europe. Constructing Identities and Interiors (London and New York: Routledge, 2010), pp. 187-214

Coltman, Viccy, Classical Sculpture and the Culture of Collecting in Britain since 1760 (Oxford: Oxford University Press, 2009) 

Coltman, Viccy, Fabricating the Antique. Neoclassicism in Britain, 1760-1800 (Chicago and London: University of Chicago Press, 2006)   

Constantine, David, Fields of Fire. A Life of Sir William Hamilton (London: Weidenfeld and Nicolson, 2001)

Cook, Brian F., ‘Charles Townley’s Collection of Drawings and Papers: A Source for Eighteenth-Century Excavations, the Market and Collections’, in Archives and Excavations. Essays on the History of Archaeological Excavations in Rome and Southern Italy from the Renaissance to the Nineteenth Century, ed. Ilaria Bignanini (London: British School at Rome, 2004), pp. 125-134

Cook, B.F., The Townley Marbles (London: British Museum Publications, 1985)

Cornforth, John, ‘Newby Hall, Yorkshire’, Country Life, 191:29 (17 July 1997), 54-61

Crookshank, Anne and the Knight of Glin, ‘Some Italian Pastels by Hugh Douglas Hamilton’, Irish Arts Review Yearbook, 13 (1997), 62-69

Darley, Gillian, Vesuvius. The Most Famous Volcano in the World (London: Profile, 2011), pp. 64-95

Davidson, Peter, ‘James Byres of Tonley: Jacobites and Etruscans’, Recusant History, 30, issue 2 (2010), 261-274

de Jong, Sigrid, Rediscovering Architecture: Paestum in Eighteenth-Century Architectural Experience and Theory (New Haven: Yale University Press, 2014), pp. 1-11 and endnotes   Available as an Online Course Reading in Minerva  

De Jong, Sigrid, ‘Staging Ruins: Paestum and Theatricality’, Art History, 33:2 (April 2010), 334-351

Ficacci, Luigi, Piranesi: the Complete Etchings (Köln and London: Taschen, 2000)

Fleming, John, ‘James Adam in Naples’, in Oxford, China and Italy: Writings in Honour of Sir Harold Acton on his Eightieth Birthday, ed. by Edward Chaney and Neil Ritchie (London: Thames and Hudson, 1984), pp. 169-176

Fleming, John, Robert Adam and his circle in Edinburgh and Rome (London: John Murray, 1978)

Ford, Brinsley, ‘The Grand Tour’, Apollo, vol. 114 (December 1981), 390-400   Available as an Online Course Reading in Minerva 

Ford, Brinsley, ‘Thomas Jenkins: Banker, Dealer and Unofficial English Agent’, Apollo, 99 (June 1974), 416-425

Ford, Brinsley, ‘James Byres: principal antiquarian for the English visitors to Rome’, Apollo, 99 (June 1974), 446-460

Ford, Brinsley, ‘William Constable: An Enlightened Yorkshire Patron’, Apollo, 99 (June 1974), 408-415

Ford, Brinsley, ‘Portraits of Englishmen in Rome’, Burlington Magazine, 97: 633 (1955), 372-378

Fothergill, Brian, Sir William Hamilton: Envoy Extraordinary (Stroud: Nonsuch, 2005)

Friedman, Joseph, Spencer House. Chronicle of a Great London Mansion (London: Zwemmer, 1993)

Giovanni Battista Piranesi. The complete etchings, ed. by John Wilton-Ely (San Francisco: Alan Wofsy, 1994)   

Goethe, Johann Wolfgang von, Italian Journey, trans. W.H. Auden and Elizabeth Mayer (London: Penguin Books, 1962 and later editions)

Grand Tour: The Lure of Italy in the Eighteenth Century, ed. by Andrew Wilton and Ilaria Bignamini (London: Tate Gallery Publishing Ltd., 1996), pp. 10-36   , pp. 51-92 Available as an Online Course Reading in Minerva 

Guilding, Ruth, Owning the Past. Why the English Collected Antique Sculpture, 1640-1840 (New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2014)   

Guilding, Ruth, ‘Newby Hall’s magnificent sculpture glows again’, Country Life, 202:36 (3 September 2008), 62-63

Guilding, Ruth, ‘Sculpture at Holkham’, Country Life, 202:10 (6 March 2008), 84-87

Guilding, Ruth, ‘The Sculpture Gallery at Newby Hall’, in Drawing from the Past. William Weddell and the Transformation of Newby Hall (Leeds: Leeds Museums and Galleries (City Art Gallery) in association with West Yorkshire Archive Service, 2004), pp. 73-81 and endnotes   

Guilding, Ruth, ‘Robert Adam and Charles Townley: the development of the top-lit sculpture gallery’, Apollo, 143:409 (March 1996), 27-32

Hamblyn, Richard, ‘Private Cabinets and Popular Geology: The British Audiences for Volcanoes in the Eighteenth Century’ in Transports: Travel, Pleasure, and Imaginative Geography, 1600-1830. Studies in British Art 3, ed. by Chloe Chard and Helen Langdon (New Haven and London: Yale University Press, 1996), pp. 179-205

Hamilton, James, Volcano: the volcano in western art (Warwickshire: Compton Verney, 2010)

Harloe, Katherine, Winckelmann and the Invention of Antiquity: history and aesthetics in the age of Altertumswissenschaft (Oxford: Oxford University Press, 2013)

Harris, Eileen, ‘William Weddell and his Architects’, in Drawing From the Past. William Weddell and the Transformation of Newby Hall (Leeds Museums and Galleries (City Art Gallery) in association with West Yorkshire Archive Service, 2004), pp. 56-71 and endnotes

Harris, Eileen, The Genius of Robert Adam. His Interiors (New Haven and London: Yale University Press, 2001)   

Harris, Leslie, Robert Adam and Kedleston: the making of a neo-classical masterpiece (London: National Trust, 1987)

Haskell, Francis, Patrons and Painters: Art and Society in Baroque Italy (New Haven and London: Yale University Press, 1980)

Haskell, Francis, ‘The Baron d’Hancarville: An Adventurer and Art Historian in Eighteenth-Century Europe’, in Oxford, China and Italy: Writings in Honour of Sir Harold Acton on his Eightieth Birthday, ed. by Edward Chaney and Neil Ritchie (London: Thames and Hudson, 1984), pp. 177-191

Haskell, Francis and Nicholas Penny, Taste and the Antique: the lure of classical sculpture 1500-1900(New Haven and London: Yale University Press, 1981)   

Haskell, Francis and Nicholas Penny, The Most Beautiful Statues: the taste for antique sculpture 1500-1900 (Oxford: Ashmolean Museum, 1981)

Hiskey, Christine, Holkham: The Social, Architectural and Landscape History of a Great English Country House (London: Unicorn, 2016)

Holland, Robert F., The Warm South: how the Mediterranean shaped the British imagination (New Haven: Yale University Press, 2018)

Howard, Seymour, Antiquity Restored: essays on the afterlife of the antique (Vienna: IRSA, 1990)

Imbruglia, Girolamo, Naples in the Eighteenth Century: The Birth and Death of a Nation State (Cambridge: Cambridge University Press, 2000)

James ‘Athenian’ Stuart: The Rediscovery of Antiquity, ed. by Susan Weber Soros (London, New Haven and New York: Yale University Press and The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, 2006)

Jenkins, Ian, and Kim Sloan, Vases and Volcanoes. Sir William Hamilton and his Collection (London: British Museum, 1996), pp. 40-64   Available as an Online Course Reading in Minerva 

Johns, Christopher M.S., ‘Portraiture and the making of Cultural Identity: Pompeo Batoni’s The Honorable Colonel William Gordon (1765-66) in Italy and North Britain’, Art History, 27, no.3 (2004), 382-411

Kantor-Kazovsky, Lola, Piranesi as Interpreter of Roman Architecture and the Origins of his intellectual World (Florence: Leo S. Olschki Editore, 2006)

Keller, Ann, ‘The Long Gallery of Castletown House’, in Castletown. Decorative Arts, ed. by Elizabeth Mayes (Dublin: Office of Public Works, 2011), pp. 57-65  

Kelly, Jason M., ‘Letters from a Young Painter Abroad: James Russel in Rome, 1740-1763’, The Journal of the Walpole Society, 74 (2012), 61-164 Available Online Here

Kelly, Jason M., The Society of Dilettanti: Archaeology and Identity in the British Enlightenment (New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2009)

Kenworthy-Browne, John, ‘Matthew Brettingham’s Rome Account Book 1747-1754’, Journal of the Walpole Society, 49 (1983), 37-132

King, David, The Complete Works of Robert and James Adam and Unbuilt Adam (Oxford: Architectural Press, 2001)

Lancaster, Jordan, In the Shadow of Vesuvius: a cultural history of Naples (London: Tauris Parke Paperbacks, 2005)

Lang, Susan, The Early Publications of the Temples at Paestum’, Journal of the Warburg and Courtauld Institutes, 13 (1950), 48-64

*Lazzarini, Elena, ‘The Trade of Luxury Goods in Livorno and Florence in the Eighteenth Century, in The Lustrous Trade: Material Culture and the History of Sculpture in England and Italy, c.1700-c.1860, ed. by Cinzia Sicca and Alison Yarrington (London and New York: Leicester University Press, 2000), pp. 67-76

Lewis, Lesley, Connoisseurs and Secret Agents in Eighteenth-Century Rome (London: Chatto & Windus, 1961)

Lo Bianco, Anna and Angela Negro, Il Settecento a Roma (Milan: Silvana Editoriale, 2005)

Macdonald, William and John Pinto, Hadrian’s Villa and its Legacy (New Haven and London, 1995)

Massari, Anna Maria Ambrosini, ‘Johan Zoffany (1733-1810). The Florentine Years and some discoveries, including a Madonna for the Grand Duke’, The British Art Journal, XVI, no. 1 (Summer 2015), 4-15

Mattusch, Carol C. (ed.), Rediscovering the Ancient World on the Bay of Naples, 1710-1890 (New Haven: Yale University Press, 2021)

McCarthy, Michael, ‘New Light on Thomas Major’s “Paestum” and Later English Drawings of Paestum’, in Paestum and the Doric Revival, 1750-1830, ed. by Joselita Raspi Serra (Florence: Centri Di, 1986), pp. 47-50

Millar, Oliver, Zoffany and his Tribuna (London: Routledge and Kegan Paul, 1967)

Norlander Eliasson, Sabrina, Portraiture and social identity in eighteenth-century Rome (Manchester: Manchester University Press, 2009)

O’Connell, Sheila, ‘Lord Shaftesbury in Naples: 1711-1713’, Walpole Society, 54 (1991), 149-219

Parsons, Nicholas T., Worth the Detour. A History of the Guidebook (Stroud: Sutton, 2007), pp. 137-174 and endnotes    

Paul, Carole, The Borghese Collections and the Display of Art in the Age of the Grand Tour (Abingdon: Routledge, 2017)

Paul, Carole, ‘The Grand Tour and the Economy of Display’, in Display of Art in the Roman Palace, 1550-1750, ed. by Gail Feigenbaum with Francesco Freddolini (Los Angeles: The Getty Research Institute, 2014), pp. 296-308, endnotes pp. 354-356

Pierce, S. Rowland, ‘Thomas Jenkins in Rome’, The Antiquaries Journal, 45:2 (1965), 225-229

Pinto, John A., Speaking Ruins: Piranesi, Architects, and Antiquity in Eighteenth-Century Rome (Ann Arbor: University of Michigan Press, 2012)

Piranesi and Rome (London: Henry Sotheran, 1998)  

Piranesi, Giovanni Battista, Observations on the letter of monsieur Mariette: with opinions on architecture, and a preface to a new treatise on the introduction and progress of the fine arts in Europe in ancient times, intro. by John Wilton-Ely (Los Angeles: Getty Research Institute for the History of Art & the Humanities, 2006)

Razzall, Rosie and Lucy Whitaker, Canaletto and the Art of Venice (London: Royal Collection Trust, 2017), pp. 9-31   Available as an Online Course Reading in Minerva 

Redford, Bruce, Dilettanti: The Antic and the Antique in eighteenth-century England (Los Angeles: J. Paul Getty Museum, 2008)

Redford, Bruce, ‘‘Seria Ludo’. George Knapton’s portraits of the Society of Dilettanti’, The British Art Journal, 3, no. 1 (Autumn 2001), 56-68

Redford, Bruce, Venice and the Grand Tour (New Haven and London: Yale University Press, 1996)

Richardson, Jonathan senior and junior, An Account of Some of the Statues, Bas-reliefs, Drawings and Pictures in Italy, &c. with Remarks (London, 1722), preface and pp. 44-75    

Roettgen, Steffi, Anton Raphael Mengs 1728-1779 and his British Patrons (London: Zwemmer and English Heritage, 1993), pp. 9-42   Available as an Online Course Reading in Minerva 

Roma Britannica: art patronage and cultural exchange in eighteenth-century Rome, ed. by David Marshall, Susan Russell and Karin Wolfe (London: British School at Rome, 2011)  

Rowell, Christopher, ‘The North Gallery at Petworth: an historical re-appraisal’, Apollo, 138:377 (July 1993), 29-36

Russell, Francis, ‘The British Portraits of Anton Raphael Mengs’, National Trust Studies 1979 (London: The National Trust, 1978), pp. 9-19

Russell, Francis, ‘Batoni’s Mrs Sandilands and Other Portraits from the Collection of James Byres’, Burlington Magazine, 120 (February 1978), 114-117

Salmon, Frank, Building on Ruins. The Rediscovery of Rome and English Architecture (Aldershot: Ashgate, 2000

Schmidt, Leo, ‘Holkham Hall, Norfolk: the seat of the Earls of Leicester’, Country Life, 167 (24 and 31 January, 7 and 14 February 1980), 214-217, 298-301, 359-362, 427-43

Schmidt, Leo, Christian Keller and Polly Feversham, Holkham (Munich and London: Prestel, 2005), pp. 136-169   Available as an Online Course Reading in Minerva 

Scott, Ian Jonathan, Piranesi (London and New York: Academy Editions and St Martin’s Press, 1975)

Scott, Jonathan, The Pleasures of Antiquity. British Collectors of Greece and Rome (New Haven: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2003)

Settis, Salvatore and Carlo Gasparri, The Torlonia Marbles. Collecting Masterpieces (Milan: Electa, 2020)

Sicca, Cinzia Maria, ‘Holkham Hall, Norfolk’, in The Cambridge Cultural History of Britain. Volume 5: Eighteenth-Century Britain, ed. by Boris Ford (Cambridge: Cambridge University Press, 1992), pp. 148-157

Smollett, Tobias, Travels Through France and Italy (New York: Wallachia, 2015), Letter XXVIII    

Spence, Joseph, Letters from the Grand Tour (Montreal: McGill-Queen’s University Press, 1975), pp. 142-50   

Spence, Joseph, ‘Dialogue VII: Neptune; Venus; Mars; Vulcan; and Vesta’, in Polymetis (London, 1747), pp. 65-82 Available online 

Stafford, Barbara Maria, Voyage into Substance: Art, Science, Nature and the Illustrated Travel Account, 1760-1840 (Cambridge and London: MIT Press, 1984)

Stern, Ralph, ‘Winckelmann, Piranesi and the Graeco-Roman Controversies: A Late Exchange in the Querelle des anciens et des modernes’, Architectura, 33 (203), 62-94 OCR REQUESTED BY LIBRARY (HT 14/02/2022) 

Stewart, Susan, The Ruins Lesson: meaning and material in western culture (Chicago: University of Chicago Press, 2020)

Stillman, Damie, Neo-Classical Architecture (London: A. Zwemmer Ltd., 1988)

Stourton, James and Charles Sebag-Montefiore, The British as Art Collectors from the Tudors to the Present (London: Scala, 2012)

Sweet, Rosemary, Cities and the Grand Tour. The British in Italy, c.1690-1820 (Cambridge: Cambridge University Press, 2012)  

Tait, A.A., The Adam Brothers in Rome. Drawings from the Grand Tour (London: Scala, 2008)

Thomas Jones (1742-1803). An Artist Rediscovered, ed. by Ann Sumner and Greg Smith (New Haven and London: Yale University Press, 2003), pp. 47-67

Vaughan, Gerard, ‘The Townley Zoffany: Reflections on Charles Townley and his Friends’, Apollo, 144 (November 1996), 32-35

Venice in the Age of Canaletto, ed. by Alexandra Libby, Marina Pacini and Stanton Thomas (Memphis and London: Memphis Brooks Museum of Art and Prestel, 2009)   

Vout, Caroline, Classical Art. A Life History From Antiquity to the Present (Princeton: Princeton University Press, 2018), pp. 151-185

Vowles, Sarah, Piranesi Drawings. Visions of Antiquity (London: Thames and Hudson, 2020)

Webster, Mary, Johan Zoffany 1733-1810 (New Haven and London: Yale University Press, 2011), pp. 279-369 and endnotes

West, Shearer, ‘Libertinism and the Ideology of Male Friendship in the Portraits of the Society of Dilettanti’, Eighteenth-century Life, 16 (1992), 76-104

Weston-Lewis, Aidan with Fabrizia Spirito, Kim Sloan and Dyfri Williams, Expanding Horizons: Giovanni Lusieri and the panoramic landscape (Edinburgh: National Galleries of Scotland, 2012)

Wilton-Ely, John, ‘‘Classic Ground’: Britain, Italy and the Grand Tour’, Eighteenth-century Life, 28:1 (2004), 136-165

Wilton-Ely, John, Piranesi as Architect and Designer (New York and London: Pierpont Morgan Library and Yale University Press, 1993)

Wilton-Ely, John, Piranesi, Paestum & Soane (Munich: Prestel, 2013)

*Wilton-Ely, John, ‘Pompeian and Etruscan Tastes in the Neo-Classical Country House Interior’, in The Fashioning and Functioning of the British Country House, ed. by Gervase Jackson-Stops et al (Washington: National Gallery of Art, 1989), pp. 51-74

Wilton-Ely, John, The Mind and Art of Giovanni Battista Piranesi (London: Thames and Hudson, 1978)

Winckelmann, Johann Joachim, History of the Art of Antiquity, trans. Harry Francis Mallgrave (Los Angeles: Getty Research Institute, 2006)

Yarker, Jonathan and Clare Hornsby, ‘A Speculative Grand Tour Excavation: Aubrey Beauclerk, Thomas Brand and Thomas Jenkins at Centocelle’, The British Art Journal, 11, No.3 (Spring 2011), 21-29

Yerkes, Carolyn and Heather Hyde Minor, Piranesi Unbound (Princeton and Oxford: Princeton University Press, 2020),

This list was last updated on 23/12/2021