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Module Reading List

Encountering Contemporary Art in a Global Context, 2021/22, Semester 2
Gill Park
Tutor information is taken from the Module Catalogue

Belting, Belting and Buddensieg, Andrea, 'From Art World to Art Worlds', in The Global Contemporary and the Rise of New Art Worldsed. by Hans Belting Andrea Buddensieg, and Peter Weibel (Karlsruhe : ZKM/Center for Art and Media ; Cambridge, Mass. ; London : MIT Press, 2013), pp. 28-31 Available as an Online Course Reading in Minerva    

Wu, Chin-Tau, 'Biennials without Borders?', New Left Review57 (2009), p.107 

Reilly, Maura, 'What is Curatorial Activism?', in Curatorial Activism: Towards an Ethics of Curating (London: Thames & Hudson, 2019), pp. 16-33     

Pitman, Thea, 'Decolonial and Indigenous Curatorial Theory', in Decolonising the Museum: the curation of indigenous contemporary art in Brazil (Woodbridge, Suffolk, UK ; Rochester, NY, USA : Tamesis Books, 2021), pp. 25–46    

Steeds, Lucy, 'Magiciens de la Terre' and the Development of Transnational Project-Based Curating', in Making Art Global (Part 2) 'Magiciens de la Terre', 1989 (London: Afterall Books, 2013), pp. 24-93 Available as an Online Course Reading in Minerva     

Araeen, Rasheed, 'Our Bauhaus Others' Mudhouse', in Making Art Global (Part 2) 'Magiciens de la Terre', 1989 (London: Afterall Books, 2013), pp.238–247 OCR REQUESTED BY LIBRARY (LW 06/01/2022)    

Demos, T.J., 'Charting a Course: Exile, Diaspora, Nomads, Refugees: A Genealogy of Art and Migration', in The Migrant Image (Durham & London: Duke University Press, 2013), pp. 1-20.  

Carter, Warren, 'Art after empire: from colonialism to globalisation', in Art and its global histories: a reader ed. by Diana Newell (Manchester: Manchester University Press, 2017), pp. 248-307 

This list was last updated on 16/12/2021