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FREN2195
Module Reading List

The Age of Extremes: Culture, Crisis and Commitment between the Wars, 2021/22, Semester 1, 2
Dr Nigel Saint
n.w.saint@leeds.ac.uk
Tutor information is taken from the Module Catalogue

General Bibliography

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The Avant-Garde, Modernism, Futurism

Tim Armstrong, Modernism : a cultural history (Cambridge: Polity, 2005)

Malcolm Bradbury and James McFarlane, Modernism: 1890-1930 (London: Penguin Books, 1991)

Peter Bürger, Theory of the avant-garde (Minneapolis: University of Minnesota Press, 1984)

Pierre Daix, Cubists and cubism [Journal du cubisme] (Geneva: A. Skira, 1982)

Johanna Drucker, The visible word : experimental typography and modern art, 1909-1923 (Chicago: University of Chicago Press, 1994)

Jill Forbes and Michael Kelly (eds.), French cultural studies : an introduction (Oxford: Oxford University Press, 1995)

Peter Gay, Modernism : the lure of heresy : from Baudelaire to Beckett and beyond (New York: W. W. Norton, 2008)

Richard J. Golsan (ed.), Fascism, aesthetics, and culture (Hanover and London: University Press of New England, 1992)

Charles Harrison and Paul Wood, eds., Art in theory, 1900-1990 : an anthology of changing ideas (Oxford: Blackwell, 1992)

Andrew Hewitt, Fascist modernism : aesthetics, politics, and the avant-garde (Stanford: Stanford University Press, 1993)

Martin Jay, Downcast eyes : the denigration of vision in twentieth-century French thought (London: University of California Press, 1994)

Jean Khalfa, ed., The dialogue between painting and poetry : livres d'artistes 1874-1999 (Cambridge: Black Apollo Press, 2001)

Vassiliki Kolocotroni, Jane Goldman and Olga Taxidou (eds.), Modernism: an Anthology of Sources and Documents (Edinburgh: Edinburgh University Press, 1998)

Michael Levenson (ed.), The Cambridge Companion to Modernism (Cambridge: Cambridge University Press, 1999)

Alyce Mahon, Eroticism & art (Oxford: OUP, 2005)

Richard Murphy, Theorizing the avant-garde : modernism, expressionism, and the problem of postmodernity (Cambridge: Cambridge University Press, 1999)

Peter Nicholls, Modernisms: A Literary Guide (Berkeley and Los Angeles: University of California Press, 1995)

Marjorie Perloff, The Futurist movement : avant-garde, avant guerre, and the language of rupture (Chicago: University of Chicago Press, 1986)

Jean-Michel Rabaté, 1913 : the cradle of modernism (Oxford: Blackwell, 2007)

- (ed.), 1922 : literature, culture, politics ISBN: 9781107040540 (hbk.) : £65.00; 9781316308936 (PDF ebook) : No price (Philadelphia, University of Pennsylvania Press, 2015)

- The Cambridge introduction to literature and psychoanalysis ISBN: 9781107423916 (paperback); 9781107027589 (hardback) (New York, Cambridge University Press, 2014)

Lisa Rado (ed.), Rereading modernism : new directions in feminist criticism (London: Routledge, 2012)

Maurice Samuels, ‘France’, in Pericles Lewis (ed.), The Cambridge companion to European modernism [electronic resource] (Cambridge: CUP, 2011) (online)

Anna Katharina Schaffner, Modernism and perversion : sexual deviance in sexology and literature, 1850-1930 (Basingstoke: Palgrave Macmillan, 2012)

Edward Timms and Peter Collier (eds.), Visions and blueprints : avant-garde culture and radical politics in early twentieth-century Europe (Manchester: Manchester University Press, 1988)

John J. White, Literary Futurism : aspects of the first avant-garde (Oxford: Clarendon Press, 1990)

Sarah Wilson (ed.), Paris : capital of the arts 1900-1968 (London: Royal Academy of Arts, 2002)

For other texts on French culture and intellectuals, see Brotherton French M-0.06.

French Literature 1914-1929 is under the general classmark French M.

For other texts on general history of 1930s, see Brotherton Mod Hist. D-14.4.

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Semester 1: Apollinaire, Breton/Surrealism, Bataille, Buñuel/Dalí

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Apollinaire

Album Apollinaire (Paris: Gallimard, 1971)

Guillaume Apollinaire, Alcools (London: Athlone Press, 1975)

-, Calligrammes, trans. Anne Hyde Greet (Berkeley: University of California Press, 1980)

-, Oeuvres poétiques (Paris: Gallimard, 1959)

-, Méditations esthétiques: Les Peintres cubistes, in Oeuvres en prose, t. 2, textes établis, présentés et annotés par Pierre Caizergues et Michel Décaudin (Paris: Gallimard, 1991)

-,Oeuvres en prose complètes, 3 vols. (Paris: Gallimard, Bibliothèque de la Pléiade, 1998). Vol. 1, 1998; Vol. 2, 1998; Vol. 3, 1993.

Willard Bohn, The aesthetics of visual poetry, 1914-1928 (Cambridge: Cambridge University Press, 1986)

-, Apollinaire, visual poetry, and art criticism (Lewisburg: Bucknell University Press, 1993)

-, Apollinaire et l'homme sans visage : création et évolution d'un motif moderne : Guillaume Apollinaire, Alberto Savinio, Giorgio de Chirico, Francis Picabia, Marius de Zayas (Rome: Bulzoni Editore, 1984)

-, Modern visual poetry (London: Associated University Presses, 2001)

Leroy C. Breunig, Guillaume Apollinaire (New York and London: Columbia University Press, 1969)

Correspondance Picasso - Apollinaire, édition de Pierre Caizergues et Hélène Seckel, introduction de Pierre Caizergues (Paris : Gallimard/RMN, 1992)

Laurence Campa, Guillaume Apollinaire (Paris: Gallimard/NRF, 2013)

Neil Cox, Cubism (London: Phaidon, 2000)

Le cubisme et l'esprit nouveau, études et informations réunies par Michel Décaudin (Paris: Lettres modernes, 1962)

Claude Debon, Guillaume Apollinaire après Alcools, 1. Calligrammes: le poète et la guerre (Paris: Minard, Bibliothèque des Lettres Modernes 31, 1981)

-, Calligrammes de Guillaume Apollinaire (Paris: Gallimard/Foliotheque, 2004)

Michel Décaudin, Michel Décaudin présente "Alcools" de Guillaume Apollinaire. (Paris: Gallimard, 1993)

Johanna Drucker, The visible word : experimental typography and modern art, 1909-1923 (Chicago: University of Chicago Press, 1994)

Albert Gleizes and Jean Metzinger, Cubism (London: T.F. Unwin, 1913) See also Du cubisme à l'art abstrait

Christopher Green, Art in France, 1900-1940 (New Haven and London: Yale University Press, 2000)

Stephen Kern, The culture of time and space, 1880-1918 (Cambridge: Harvard University Press, 1994), pp. 65–88.

Roger Little, Guillaume Apollinaire (London: Athlone Press, 1976)

Timothy Mathews, Reading Apollinaire : theories of poetic language (Manchester: Manchester University Press, 1987)

-, Literature, art and the pursuit of decay in twentieth-century France (Cambridge: Cambridge University Press, 2001)

Pascal Pia, Apollinaire par lui-même (Paris: Seuil, 1954)

Peter Read, Picasso et Apollinaire : les métamorphoses de la mémoire, 1905/1973 (Paris: J.M. Place, 1995)

Pierre Reverdy, Note éternelle du présent : écrits sur l'art,(1923-1960). (Paris: Flammarion, 1973)

John Richardson, A Life of Picasso, Vol. 1 1881-1906, Vol. 2 1907-1917 (London: Jonathan Cape, 1991-1996)

Stefan Themerson, Apollinaire's lyrical ideograms. (London: Gaberbocchus, 1968)

Margaret Wijk, Guillaume Apollinaire et l'esprit nouveau (Lund: CWK Gleerup, 1982)

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Surrealism

Nadja study guides

Josette Barthe, Nadja, André Breton (Bordas)

Jean-Albert Bron, Nadja, Andre Breton : litterature et langages de l'image (Ellipses)

Roger Cardinal, Breton, Nadja. (Grant & Cutler)

Vincent Debaene, Nadja, André Breton (Hatier)

Philippe Douet, Breton, Nadja : 40 questions, 40 réponses, 4 études, (Ellipses)

Florence Ferran, Nadja, Manifestes du surréalisme, André Breton (Nathan)

Pascaline Mourier-Casile, Pascaline Mourier-Casile présente Nadja d'André Breton. (Gallimard/foliothèque)

Roger Navarri, André Breton, Nadja (P.U.F.)

Further reading

Sarane Alexandrian, Surrealist art (London: Thames and Hudson, 1970)

Walter Benjamin, Reflections : essays, aphorisms, autobiographical writings, ed. Peter Demetz (New York: Harcourt Brace Jovanovich, 1978)

Adam Biro et René Passeron (éds.): Dictionnaire général du surréalisme et de ses environs (Paris: P.U.F., 1982)

Willard Bohn, The rise of Surrealism : Cubism, Dada, and the pursuit of the marvelous (Albany: State University of New York Press, 2002)

Ruth Brandon, Surreal Lives: The Surrealists 1917-1945 (London: Macmillan, 1999)

Mary Ann Caws, The surrealist look : an erotics of encounter (Cambridge and London: MIT Press, 1997)

Jacqueline Chénieux-Gendron, Surrealism (New York: Columbia University Press, 1990)

Jonathan P. Eburne, Surrealism and the art of crime (Ithaca: Cornell University Press, 2008)

Hal Foster, Compulsive beauty (Cambridge: MIT Press, 1995)

Denis Hollier (ed.), A New History of French Literature (Cambridge: Harvard University Press, 1989)

Renée Riese Hubert, Surrealism and the book (Berkeley: University of California Press, 1988)

Marcel Jean, Autobiographie du surréalisme (Paris: Seuil, 1978)

David Lomas, The haunted self : surrealism, psychoanalysis, subjectivity (New Haven: Yale University Press, 2000)

J. H. Matthews, An introduction to surrealism (University Park: The Pennsylvania State University Press, 1965)

Robert Motherwell, The Dada Painters and Poets (Boston: GK Hall & Co., 1981)

Maurice Nadeau, Histoire du surréalisme. (Paris: Seuil, 1945)

Jean-Michel Rabaté, The ghosts of modernity (Gainesville: University Press of Florida, 1996)

Marcel Raymond, De Baudelaire au surréalisme (Paris: Corti, 1963)

Hans Richter, Dada: Art and Anti-Art (London: Thames & Hudson, 1965)

Michael Sheringham, Everyday life : theories and practices from surrealism to the present (Oxford: OUP, 2006)

Susan Rubin Suleiman, Subversive intent : gender, politics, and the avant-garde (Cambridge: Harvard University Press, 1990)

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Bataille

Dawn Ades and Simon Baker, Undercover Surrealism : Georges Bataille and Documents (Hayward Gallery, 2006)

Frédéric Aribit, André Breton, Georges Bataille : Le vif du sujet ISBN: 9782296997035; 2296997031 (Paris, L’Harmattan, 2012)

Roland Barthes, ‘La Métaphore de l’œil’ (1963), Essais critiques. (Paris: Seuil, 1964), pp. 238–45.

Georges Bataille, Romans et récits (Paris: Gallimard, Pléiade, 2004)

-, Œuvres complètes, 10 vols. (Paris: Gallimard, 1970-1988)

- and Leiris, Echanges et correspondances (Paris: Gallimard, 2004)

Yve-Alain Bois and Rosalind Krauss, Formless : a user's guide, catalogue of the exhibition ‘L’Informe : Mode d’emploi’ held at the Centre Georges Pompidou in 1996 (New York : Zone Books, 1997)

Leslie-Anne Boldt-Irons, On Bataille : critical essays (Albany, NY: SUNY Press, 1995)

Fred Botting and Scott Wilson, The Bataille reader (London: Blackwell, 1997)

Jean-Louis Cornille, Bataille conservateur : emprunts intimes d'un bibliothécaire (Paris: L’Harmattan, 2004)

Georges Didi-Huberman, La ressemblance informe, ou, Le gai savoir visuel selon Georges Bataille (Paris: Macula, 1995)

Morgan Falconer, ‘Eyes peeled for the surreal deal’, The Times: The Knowledge, 29/04/06-05/05/06, pp. 32–35. Available online via Times digital archive [electronic resource].

Patrick ffrench,The cut : reading Bataille's Histoire de l'oeil(Oxford: OUP, 1999)

Lina Franco, Georges Bataille : le corps fictionnel (Paris: L’Harmattan, 2004)

Henk Hillenaar (ed.), Georges Bataille et la fiction (Amsterdam: Rodopi, 1992)

Denis Hollier (ed.), Georges Bataille après tout (Paris: Belin, 1995)

-, La prise de la Concorde ; suivi de, Les dimanches de la vie : essais sur Georges Bataille (Paris: Gallimard, 1993)

Andrew Hussey (ed.), The beast at heaven's gate : Georges Bataille and the art of transgression (Amsterdam: Rodopi, 2006)

John Lechte, ‘Bataille’, in John Lechte, Fifty key contemporary thinkers : from structuralism to postmodernity (London: Routledge, 1994), pp. 97–101.

Claire Lozier, De l'abject et du sublime : Georges Bataille, Jean Genet, Samuel Beckett (Oxford: Peter Lang, 2012)

-, ‘Franchir les frontières: lecture biopolitique de deux fictions de Georges Bataille’, Littérature, 187:3 (2017) OCR REQUESTED BY LIBRARY (SRJ 11/08/2017) 

-, ‘A Poetic Enquiry: Barthes and Bataille’s Story of the Eye’, Barthes Studies, 2 (2016) - Available online: http://sites.cardiff.ac.uk/barthes/files/2016/11/LOZIER-A-Poetic-Enquiry.pdf

-, ‘Ma Mère de Georges Bataille et Ma Mère de Christophe Honoré: regards croisés’, Cahiers Georges Bataille, 4 (2016) OCR REQUESTED BY LIBRARY (SRJ 11/08/2017) 

-, ‘Violence du Beckett de Bataille: « Le Silence de Molloy»’, Samuel Beckett Today ISSN: 0927-3131, 4 (2016)

-, ‘Rites, transgression et littérature dans Histoire de l’œil de Georges Bataille’, Les Lettres romanes, 69:3-4 (2015) OCR REQUESTED BY LIBRARY (SRJ 11/08/2017) 

-, ‘Faire jouir le système: Georges Bataille et l’utopie de l’impossible’, in Utopia : The avant-garde, modernism and (im)possible life, European Avant-Garde and Modernism Studies 4, eds. David Ayers and Benedikt Hjartarson (Berlin/New York: De Gruyter, 2015)

-, ‘Poétique de la cécité: effets d’aveuglement dans Histoire de l’œil de Georges Bataille’, 青山フランス文学論集 (Aoyama French Literature Studies), 23 (2014) OCR REQUESTED BY LIBRARY (SRJ 11/08/2017) 

Gilles Mayné, Georges Bataille, l'érotisme et l'écriture : applications pratiques à l'étude de textes littéraires (Paris: Descartes & Cie, 2003)

Bernard Sichère, Pour Bataille : être, chance, souveraineté (Paris: Gallimard, 2006)

Susan Sontag, ‘The Pornographic Imagination’ (1967), in A Susan Sontag Reader, introduction by Elizabeth Hardwick (London: Penguin, 1983), pp. 205–33. [This influential essay by Sontag also appears in her Styles of Radical Will and is included in the Penguin Classics translation of Histoire de l’œil, Story of the eye.]

Alan Stoekl, Politics, writing, mutilation : the cases of Bataille, Blanchot, Roussel, Leiris, and Ponge (Minneapolis: University of Minnesota Press, 1985)

Susan Suleiman, ‘Transgression and the Avant-Garde: Bataille’s Histoire de l’œil’, in Subversive intent : gender, politics, and the avant-garde (Cambridge: Harvard University Press, 1990), pp. 72–87.

Michel Surya (ed.), Georges Bataille : une liberté souveraine (Tours: Farrago, 2000)

-,Georges Bataille : la mort et l'œuvre(Paris: Gallimard, 1992)

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Buñuel/Dalí

Ruth Brandon, Surreal Lives (London: Macmillan, 1999)

Luis Buñuel, ‘Notes on the Making of Un Chien andalou’, in Joan Mellen (ed.) The World of Luis Buñuel : essays in criticism (Oxford: OUP, 1978), pp. 151–3.

Gwynne Edwards, The discreet art of Luis Buñuel : a reading of his films (London and Boston: Marion Boyars, 1982)

Paul Hammond, L'Âge d'or (London: BFI Publishing, 1995)

- (ed.), The shadow and its shadow : surrealist writings on the cinema (San Francisco: City Lights Books, 2000)

Graeme Harper and Rob Stone (eds.), The unsilvered screen : surrealism on film (London: Wallflower, 2007)

Ado Kyrou, Le surréalisme au cinéma (Paris: Le Terrain Vague, 1963)

Ignacio Javier López, ‘Film, Freud and Paranoia: Dalí and the Representation of Male Desire in An Andalusian Dog’, Diacritics. (Baltimore), 31: 2 (summer 2001), pp. 35–48.

Laura Marcus, The Tenth Muse: Writing about Cinema in the Modernist Period (Oxford: OUP, 2010)

A.L.Rees, A History of Experimental Film and Video (London: BFI, 1999)

Robert Short, The age of gold : Surrealist cinema (London: Creation, 2003)

Allen S. Weiss, The aesthetics of excess (New York: State University of New York Press, 1989)

Linda Williams, Figures of desire : a theory and analysis of surrealist film (Berkeley: University of California Press, 1992)

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Semester 2 – general works and items for set film and texts

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History

Jean-Pierre Azéma, De Munich à la Libération (1938-1944), Nouvelle histoire de la France contemporaine, vol 14 (Paris: Seuil, Collection Points, 1976)

Jean-Pierre Azéma and Michel Winock, La IIIe République, 1870-1940 (Paris: Calmann-Levy, 1976)

Jean-Pierre Azéma and Michel Winock, Histoire de l'extrême droite en France (Paris: Seuil, 1993)

Becker and Bernstein, Victoire et frustrations, 1914-1929, Nouvelle Histoire de la France Contemporaine 12 (Paris: Seuil, 1990)

Pierre Bernard, La fin d'un monde, 1914-1929 (Paris : Seuil, 1975)

Pierre Bernard and Henri Dubief, The decline of the Third Republic, 1914-1938, Nouvelle Histoire de la France Contemporaine 13 (Paris : Seuil, 1976)

Pierre Birnbaum, "La France aux Français" : histoire des haines nationalistes (Paris: Seuil, 1993) See esp. chapter 7 on Céline and chap. 11 on 'Nationalisme à la française'.

Pierre Birnbaum, Un Mythe politique (Paris: Fayard, 1988)

Pierre Birnbaum, Les fous de la République : histoire politique des Juifs d'état, de Gambetta à Vichy (Paris: Fayard, 1992)

Dominique Borne et Henri Dubief, La crise des années 30, 1929-1938 (Paris: Seuil, 1989)

Alfred Cobban, A history of modern France. Vol.3, France of the Republics 1871-1962, (London: Penguin, 1965)

Robert Gildea, The past in French history (New Haven: Yale University Press, 1994)

Julian Jackson, The politics of depression in France 1932-1936 (Cambridge: Cambridge University Press, 1985)

Julian Jackson, The Popular Front in France : defending democracy, 1934-38 (Cambridge: Cambridge University Press, 1988)

Pierre Milza, Fascisme français : passé et présent (Paris: Flammarion, 1987)

René Raymond, Introduction à l'histoire de notre temps (Paris: Seuil, 1979)

Anne Roche et Christian Tarting (textes réunis par), Des années trente : groupes et ruptures : actes du colloque organisé par l'antenne de l'U.R.L. no.5 à l'Université de Provence I, 5-7 mai 1983 (Paris: Editions du CNRS, 1985)

Ralph Schor, L'opinion française et les étrangers en France, 1919-1939 (Paris: Publications de la Sorbonne, 1985)

Zeev Sternhell, Ni Droite ni Gauche. L'Idéologie Fasciste en France (Paris: Seuil, 1983)

Eugen Weber, The hollow years : France in the 1930s (London: Sinclair-Stevenson, 1995)

Michel Winock (ed.), Les années trente : de la crise à la guerre (Paris: Seuil, 1990)

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Writers/Culture/Intellectuals

R. M. Albérès, L'aventure intellectuelle du XXe siècle, 1900-1950 (Paris: La Nouvelle Edition, 1950)

D. Bonnaud-Lamotte et J.-L. Rispail (sous la direction de), Intellectuel(s) des années trente : entre le rêve et l'action (Paris: Editions du CNRS, 1989)

Victor Brombert, The Intellectual Hero (Chicago: University of Chicago Press, 1974)

David Carroll, French literary fascism : nationalism, anti-Semitism, and the ideology of culture (Princeton: Princeton University Press, 1995)

David Caute, Communism and the French intellectuals, 1914-1960. (London: Deutsch, 1964)

Rosemary Chapman and Nicholas Hewitt eds., Popular culture and mass communication in twentieth-century France (Lewiston: Edwin Mellen Press, 1992)

J. E. Flower, Writers and politics in modern France (1909-1961) (London: Hodder and Stoughton, 1977)

J. E. Flower, Literature and the Left in France : society, politics and the novel since the late nineteenth century (London: Macmillan, 1983)

Jill Forbes and Michael Kelly eds, French cultural studies : an introduction (Oxford: Oxford University Press, 1995) (See esp. Chapter 2, sections on ‘Crisis and commitment’ and ‘Les années noires’.)

Angela Kershaw, Forgotten engagements : women, literature and the left in 1930s France (Amsterdam: Rodopi, 2007)

Bernard-Henri Lévy, The Spirit of Freedom (tape in four parts on French intellectuals in 20th century). Available at: http://www.rolandcollection.com/films/?prm=a24-b164-c0-d1-e0

Pascal Ory and Jean-François Sirinelli, Les Intellectuels en France, de l'affaire Dreyfus à nos jours (Paris: Armand Colin, 1986)

Brian Rigby, Popular culture in modern France : a study of cultural discourse (London: Routledge, 1991)

Jean-Paul Sartre, Qu'est-ce que la Littérature? (Paris: Gallimard, 1948)

Susan Rubin Suleiman, Authoritarian fictions : the ideological novel as a literary genre (New York: Columbia University Press, 1983)

Richard Wolin, The seduction of unreason : the intellectual romance with fascism from Nietzsche to postmodernism (Princeton, Princeton University Press, 2006)

 

Marker and Resnais, Les Statues meurent aussi

Chris Marker and Alain Resnais, Les Statues meurent aussi (1953), Paris: Présence Africaine. DVD.  

Lauren Ashby, ‘The statues also die’, Art in Translation, 5 (2013), 429-438.

Sarah Cooper, Chris Marker (Manchester: Manchester U. P., 2008)

Matthew Croombs, ‘French Algeria and the police: horror as political affect in three short documentaries by Alain Resnais’, Screen, 55:1 (2014), 29-47.

Matthias De Groof, ‘Statues Also Die - But Their Death is not the Final Word’, Image & Narrative, 11:1 (2010), 29-46.

Jean-Luc Douin, Alain Resnais (Paris: La Martinière, 2013)

Pierre-Philippe Fraiture, ‘Les Statues meurent aussi: The death and after-death of African art’, International Journal of Francophone Studies, 18:2 (2015), 191-214.

Catherine Lupton, Chris Marker: Memories of the Future (London: Reaktion Books, 2005)

André Malraux, Le Musée imaginaire (Paris: Seuil, 1965)

André Malraux, The Voices of Silence (London: Secker & Warburg, 1954)

Chris Marker, Commentaires, vol.1 (Paris: Seuil, 1961)

Jules O'Dwyer, ‘Reorienting objects in Alain Resnais and Chris Marker's Les Statues meurent aussi’, Screen, 58:4 (2017), 497-507.

Daniel Sherman, French Primitivism and the Ends of Empire, 1945-1975 (Chicago: University of Chicago Press, 2005)

Steven Ungar, ‘Scenes in a Library: Alain Resnais and Toute la mémoire du monde’, Substance, 41:2 (2012), 58-78.

Christine Van Assche, Christine Raymond Bellour and Jean-Michel Frodon (eds.), Chris Marker (Paris: La Cinémathèque française, 2018)

Emma Wilson, Alain Resnais (Manchester: Manchester U. P., 2006)

Jean-Pierre Zarader, ‘Empathie ou métamorphose : Les Statues Meurent aussi d’Alain Resnais et Chris Marker, et Les Voix du silence d’André Malraux’, Sens public (2008), 3-6. https://www.erudit.org/fr/revues/sp/2008-sp04857/1064428ar.pdf

 

Renoir/La Vie est à Nous

Pascal Bonitzer et al, ‘La Vie est à Nous : film militant,’ Les Cahiers du Cinéma 218 (mars 1970), reprinted in Nick Browne (ed.), Les Cahiers du Cinéma, vol. 3 : 1969-1972, The Politics of Representation, London, Routledge, 1990.   OCR REQUESTED BY LIBRARY (HT 22/09/2020) 

Jonathan Buchsbaum, “Toward Victory  : Left Film in France, 1930-35”, Cinema Journal, vol. 25, no 3, printemps 1986, p. 22-52  

-, Cinema engagé: Film in the Popular Front, Urbana, University of Illinois Press, 1988.

Colin Crisp, Myth and Convention in the French Cinema, Bloomington, Indiana University Press, 2002.

Christopher Faulkner, The Social Cinema of Jean Renoir, Princeton and Guildford, Princeton University Press, 1980.

-, ‘Affective Identities: French National Cinema and the 1930s’, Canadian Journal of Film Studies (ARCHIVE), 3: 2 (Fall 1994), 3-23.

Geneviève Guillaume-Grimaud, Le Cinéma du Front populaire, Paris, L’herminier, 1986.

Pascal Ory, “De Ciné-Liberté à La Marseillaise, espoirs et limites d’un cinéma libéré (1936-1938)”, in Madeleine Reberioux (ed.), “Culture et militantisme en France  : de la Belle époque au Front populaire”, Le Mouvement social, no 91, avril-juin 1975, 153-175.

- and Jean-François Sirinelli, Les Intellectuels en France, de l’Affaire Dreyfus à nos jours, Paris, Armand Colin, 1986, chapter 5.

Martin O’Shaughnessy, Jean Renoir, Manchester, Manchester University Press, 2000.

René Prédal, La Société française à travers le cinéma, 1914-1945, Paris, Armand Colin, 1972, 220-253.   OCR REQUESTED BY LIBRARY (HT 22/09/2020) 

Keith Reader et Ginette Vincendeau, La Vie est à Nous : French Cinema of the Popular Front 1935-1938, London, BFI, 1986, 37-53.   OCR REQUESTED BY LIBRARY (HT 22/09/2020) 

Alexander Sesonske, Jean Renoir: The French Films, 1924-1939, Cambridge (MA), Harvard University Press, 1980, chapter 15.

Elizabeth G. Strebel, French Social Cinema of the 1930a: A Cinematographic Expression of Popular Front Consciousness, New York, Arno Press, 1980.

Danielle Tartakowski, Le Front populaire : ‘La Vie est à Nous’, Paris, Gallimard, 1996.

Valérie Vignaux, « Léon Moussinac and L’Humanité as a Cinematic Force », Études photographiques, 27 | mai 2011, Online since 11 June 2014. URL : http://journals.openedition.org/etudesphotographiques/3468

 

Drieu/Histoires déplaisantes

Pierre Drieu La Rochelle, Textes politiques 1919-1945, ed. J-B Bruneau, Paris, Krisis, 2009.

-, Récit secret, suivi du Journal 1944-45 et d’Exorde, Gallimard, 1961.

-, Sur les Écrivains, Gallimard, 1964.

Robert Brasillach, Notre Avant-Guerre (LGF, 1941).

Bridet, Guillaume, ‘Quand un écrivain français perd le nord : Drieu la Rochelle et l’esthétisation fasciste’, Revue d’Histoire Littéraire de la France, 109.3 (2009), 661-80, <https://www.cairn.info/revue-d-histoire-litteraire-de-la-france-2009-3-page-661.htm#pa3>.

P. Foulkes, Literature and propaganda (London: Methuen, 1983)

Marc Hanrez, ‘Le Dernier Drieu’, French Review, Special Issue no. 1 (Winter 1970), 144-57.

Holman, & D. Kelly, France at war in the twentieth century: Propaganda, myth and metaphor (New York; Oxford: Berghahn Books, 1999)

Tony Judt with Timothy Snyder, Thinking the Twentieth Century (Vintage, 2013).

Laura Marcus, ‘The Things that Move: Early Film and Literature’, in The Tenth Muse: Writing about Cinema in the Modernist Period, (Oxford: Oxford University Press, 2007), 18-99.

Mark Meyers, ‘Feminizing Fascist Men: Crowd Psychology, Gender, and Sexuality in French Antifascism, 1929-1945’, French Historical Studies, 29:1 (Winter 2006), 109-142.  

Kevin Passmore (ed.), Women, gender, and fascism in Europe, 1919-45 (New Brunswick, N.J.: Rutgers University Press, 2003).

Robert Soucy, ‘Drieu la Rochelle and Modernist Anti-Modernism in French Fascism,’ MLN, 95: 4 (1 May 1980), 922-937.

William R. Tucker, ‘Fascism and Individualism: The Political Thought of Pierre Drieu La Rochelle’, Journal of Politics, 27:1 (February 1965), 153-177.

Jessica Wardaugh, In Pursuit of the People: Political Culture in France 1934-39 (Basingstoke: Palgrave MacMillan, 2000).

Michel Winock, Le Siècle des intellectuels (Seuil, 1997).

This list was last updated on 14/09/2021