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Module Reading List (additional readings only; not up to date)

Movies, Migrants and Diasporas, 2021/22, Semester 2
Dr Claudia Sternberg
Tutor information is taken from the Module Catalogue

ARTF3173/ARTF5032M: Movies, Migrants and Diasporas

Comprehensive Bibliography

Adelson, L. A. (2001) 'Against Between: A Manifesto', in S. Hassan and I. Dadi (eds). Unpacking Europe : towards a critical reading. Rotterdam: Nai Publishers, 244-55.

Alexander, C. (2008) 'The Problem of South Asian Popular Culture: A View from the UK', South Asian popular culture 6.1: 1-12.

Alexander, K. (2002) 'Black British Cinema in the 90s: Going Going Gone' in R. Murphy (ed.) British cinema of the 90s. London: British Film Institute, 109-14.

Ang, I. (2001) 'Undoing Diaspora,' In: On not speaking Chinese : living between Asia and the West. London, New York: Routledge, 75-92.

Anzaldúa, G. (1987) Borderlands = La frontera. San Francisco: Aunt Lute Books.

Ashcroft, B., G. Griffiths and H. Tiffin (eds.) (2006, 2nd ed.) The Post-Colonial Studies Reader. London, New York: Routledge.

Ashcroft,B., G. Griffiths and H. Tiffin (2003) Post-Colonial Studies: The Key Concepts. London: Routledge.

Bailey, C. (1992) 'What the Story Is: An Interview with Srinivas Krishna', Cineaction 28: 38-47. OCR REQUESTED BY LIBRARY (afp 18/02/2020) 

Bakic-Hayden, M. (1995) 'Nesting Orientalisms: The Case of Former Yugoslavia', Slavic review 54.4: 917-31.

Bakic-Hayden, M., and R. M. Hayden (1992) 'Orientalist Variations on the Theme "Balkans": Symbolic Geography in Recent Yugoslav Cultural Politics', Slavic review 51.1: 1-19.

Ballesteros, I. (2001) Cine (ins)urgente : textos fílmicos y contextos culturales de la España postfranquista. Madrid: Fundamentos.

Ballesteros, I. (2005) 'Embracing the Other: Feminization of Spanish "Immigration Cinema"', Studies in Hispanic cinemas 2.1: 3-14.

Ballesteros, I. (2006) 'Foreign and Racial Masculinities in Contemporary Spanish Film', Studies in Hispanic cinemas 3.3: 169-85.

Barot, R., and J. Bird (2001) 'Racialization: The Genealogy and Critique of a Concept', Ethnic and racial studies 24.4: 601-18.

Bergfelder, T. (2005) 'National, Transnational or Supranational Cinema', Media, culture & society 27.3, 315-31.

Berghahn, D., and C. Sternberg, eds. (2010) European cinema in motion : migrant and diasporic film in contemporary Europe. Basingstoke, New York: Palgrave.

Beumers, B.  (2008a) 'Through the other Lens? Russians on the Global Screen', in S. Hutchings (ed.). Russia and its other(s) on film : screening intercultural dialogue. London: Palgrave, 166-83.

Beumers, B. (2008b) 'Killers and Gangsters: The Heroes of Russian Blockbusters of the Putin Era', in S. White (ed.). Media, culture and society in Putin's Russia. London: Routledge, 204-25.

Beumers, B. (ed.) (1999) Russia on reels : the Russian idea in post-Soviet cinema. London: I.B. Tauris.

Bluher, D. (2001) 'Hip Hop Cinema in France', Camera obscura, special issue R. Halle and S. Willis (eds), Marginality and Alterity in New European Cinemas 46.2: 77-97.

Boltanski, L. (1999 [1993]) Distant suffering : morality, media and politics. Cambridge, etc.: Cambridge University Press.

Bosséno, C. (1983) 'Avant-propos: Un troisième voyage en immigration', Cinémas de l'émigration 3, CinémAction 24: 3-8. OCR REQUESTED BY LIBRARY (KR 28/01/2019) 

Bosséno, C. (1992) 'Immigrant Cinema – National Cinema: The Case of beur Film', in R. Dyer and G. Vincendeau (eds). Popular European cinema. London, New York: Routledge, 47-57.

Boym, S. (1994) Common places : mythologies of everyday life in Russia. Cambridge, MA, London: Harvard University Press.

Boym, S. (2001) The future of nostalgia. New York: Basic Books.

Brah, A. (1992) 'Difference, Diversity and Differentiation', in J. Donald and J. Rattansi (eds.) "Race", culture and difference London: Sage/The Open University.

Brah, A. (1996) Cartographies of diaspora : contesting identities. London, New York: Routledge.

Braziel, J. E., and A. Mannur (eds) (2003) Theorizing diaspora : a reader. London, New York: Routledge.

Brosius, C., and N. Yazgi. (2007) '"Is there no place like home?" Contesting Cinematographic Constructions of Indian Diasporic Experiences', Contributions to Indian Sociology 41.3: 355-86.

Burns, R. (2006) 'Turkish-German Cinema: From Cultural Resistance to Transnational Cinema?' in David Clarke (ed.). German cinema : since unification. London, New York: Continuum, 127-50.

Camí-Vela, M. (2000) 'Flores de otro mundo: una mirada negociadora', in G. Cabello-Castellet, J. Martí-Olivella and G. H. Wood (eds) Cine-Lit 2000 : essays on Hispanic film and fiction. Corvallis, Or: Oregon State University, 163-75.

Carty, G. (2003) 'A Cuban Perspective from within Spain: Cosas que dejé en La Habana (1997)', in G. Rings and R. Morgan-Tamosunas (eds) European cinema : inside out : images of the Self and the Other in postcolonial European cinema. Heidelberg: Winter, 63-73.

Castiello, C. (2005) Los parias de la tierra : inmigrantes en el cine español. Madrid: Talasa Ediciones S.L.

Castles, S., and M. J. Miller (2003) The Age of Migration: International Population Movement in the Modern World. Houndmills, Basingstoke, New York: Palgrave Macmillan.

Chapman. J. (2003) Cinemas of the world : film and society from 1895 to the present. London: Reaktion Books.

Chaudhuri, S. (2005) Contemporary world cinema : Europe, the Middle East, East Asia and South Asia. Edinburgh: Edinburgh University Press.

Chouliaraki, L. (2006) The spectatorship of suffering. London, Thousand Oaks, New Delhi: Sage.

Christensen, M., and N. Erdoğan (eds) (2008) Shifting landscapes : film and media in European context. Newcastle: Cambridge Scholars Publishing.

Clark, C. (2006) 'Transculturation, Transe Sexuality, and Turkish Germany: Kutluğ Ataman's Lola + Bilidikid', German life and letters 59.4: 555-72.

Clifford, J. (1994) 'Diasporas', Cultural anthropology 9.3: 302-38.

Cohen, R. (2008, 2nd ed.) Global Diasporas: An Introduction. London, New York: Routledge.

Cook, P. (ed.) (2007, 3rd ed.) The Cinema Book. London: British Film Institute.

Cunningham, S., and J. Sinclair (eds) (2001) Floating lives : the media and Asian diasporas. Lanham etc.: Rowman & Littlefield.

Degli-Esposti, C. (ed.) (1998) 'Postmodernism in the cinema. London: Berghahn.

Dennison, S., and S. H. Lim (eds) (2006a) Remapping world cinema : identity, culture and politics in film. London, New York: Wallflower Press.

Desai, J. (2004) Beyond Bollywood : the cultural politics of South Asian diasporic film. London, New York: Routledge.

Diawara, M. (1996) 'Black British Cinema: Spectatorship and Identity Formation in Territories', in H. A. Baker, Jr., M. Diawara and R.H. Lindeborg (eds) Black British cultural studies : a reader. Chicago, London: University of Chicago Press, 293-306.

Dixon, W. W. (2000) 'Fighting and Violence and Everything That's Always Cool: Teen Films in the 1990s', in W. W. Dixon (ed.). Film genre 2000 : new critical essays. Albany: State University Press of New York, 125-42.

Doherty, T. (2002 [first ed. 1988]) Teenagers and teenpics : the juvenilization of American movies in the 1950s. Philadelphia: Temple University Press.

Doughty, R., and K. Griffiths (2006) 'Racial Reflection: La Haine and the Art of Borrowing', Studies in European cinema 3.2: 117-27.

Du Bois, W. E. B. (1989 [1903]) The Souls of Black Folk. New York: Bantam.

Duncan, D. (2007) 'Stairway to Heaven: Ferzan Özpetek and the Revision of Italy', New cinemas : journal of contemporary film. 5.1: 101-13.

Girelli, E. (2007) 'Transnational Orientalism: Ferzan Özpetek's Turkish Dream in Hamam (1997)', New cinemas : journal of contemporary film 5.1: 23-38.

Duygulu, M. (2006) Türkiye'de Çingene Müziği: Batı Grubu Romanlarında Müzik Kültürü. Istanbul: Pan.

Dyer, R. (1997) White. London: Routledge.

E. Shohat and R. Stam (eds) Multiculturalism, postcoloniality and transnational media. New Brunswick: Rutgers University Press, 203-26.

Egoyan, A., and I. Balfour (eds) (2004) Subtitles : on the foreignness of film. Cambridge, Mass.: MIT Press.

Eleftheriotis, D., and D. Iordanova (eds) (2006) 'Indian Cinema Abroad: Historiography of Transnational Cinematic Exchanges', Special Issue of South Asian popular culture 4.2.

Elsaesser, T. (1999) 'Ethnicity, Authenticity, and Exile: A Counterfeit Trade? German Filmmakers and Hollywood', in H. Naficy (ed.). Home, exile, homeland : film, media, and the politics of place. London, New York: Routledge, 97-123.

Elsaesser, T. (2005) European cinema : face to face with Hollywood. Amsterdam: Amsterdam University Press.

Ewing, K. P. (2006) 'Between Cinema and Social Work: Diasporic Turkish Women and the Displeasures of Hybridity', Cultural anthropology 21.2: 265-94.

Ezra, E., and T. Rowden (eds) (2006a) Transnational cinema : the film reader. London, New York: Routledge.

Featherstone, M., S. Lash and R. Robertson (eds) (1995) Global modernities. London, Thousand Oaks and New Delhi: Sage Publications.

Fenner, A. (2006) 'Traversing the Screen Politics of Migration: Xavier Koller's Journey of Hope', in E. Rueschmann (ed.). Moving pictures, migrating identities. Jackson: University of Mississippi Press, 28-38.

Figueira, D. (1994) The exotic : a decadent quest. Albany: State University of New York Press.

Flesler, D. (2004) 'New Racism, Intercultural Romance, and the Immigration Question in Contemporary Spanish Cinema', Studies in Hispanic cinemas. 1.2: 103-18.

Forrester, S., M. J. Zaborowska and E. Gapova (eds) (2004) Over the wall, after the fall : post-communist cultures through an East-West gaze. Bloomington, Indianapolis: Indiana University Press.

Fortier, A.M. (2007): 'Too Close for Comfort: Loving Thy Neighbour and the Management of Multicultural Intimacies', Environment and planning. D : society and space. 25.1: 104-19.

Fouz-Hernández, S., and A. Martínez-Expósito (2007) Live flesh : the male body in contemporary Spanish cinema. London and New York: I. B. Tauris.

Freedman, J. and C. Tarr (eds). Women, immigration and identities in France. Oxford, New York: Berg.

Fregoso, R. L. (1993) The bronze screen : Chicana and Chicano film culture. Minneapolis, London: University of Minnesota Press.

Fukuyama, F. (1993) The end of history and the last man. London: Penguin.

Gabriel, T. (1982) Third cinema in third world : the dynamics of style and ideology. Ann Arbor: University of Michigan Research Press.

Gates, H. L., Jr. (1988) The signifying monkey : a theory of Afro-American literary criticism. New York: Oxford University Press.

Gateward, F., and M. Pommerance (eds) (2002) Sugar, spice, and everything nice : cinemas of girlhood. Detroit: Wayne State University Press.

Gelbin, C., K. Konuk and P. Piesche (2000) AufBrüche : kulturelle Produktionen von Migrantinnen, Schwarzen und jüdischen Frauen in Deutschland. Taunusstein am Main: Ulrike Helmer.

Ghosh, B. and S. Bhaskar (1995/96) 'The Cinema of Displacement: Towards a Politically Motivated Poetics', Film criticism 20.1/2: 102-13.

Gillespie, M. (1995) Television, ethnicity, and cultural change. London, New York: Routledge.

Gilroy, P. (1993) The black Atlantic : modernity and double consciousness. London: Verso.

Ginsburg, F., L. Abu-Lughod and B. Larkin (eds) (2002) Media worlds : anthropology on new terrain. Berkeley: University of California Press.

Givanni, J. (2004) 'A Curators Conundrum: Programming "Black Film" in 1980s-1990s Britain', The moving image 4.1: 60-75.

Göktürk, D. (2000) 'Turkish Women on German Streets: Closure and Exposure in Transnational Cinema', in M. Konstantarakos (ed.). Spaces in European cinema. Exeter: Intellect, 64-76.

Göktürk, D. (2001b) 'Turkish Delight – German Fright: Migrant Identities in Transnational Cinema', in  D. Derman, K. Ross and N. Dakovic (eds) Mediated identities. Istanbul: Bilgi University Press, 131-49.  

Göktürk, D. (2002) 'Beyond Paternalism: Turkish German Traffic in Cinema', in T. Bergfelder, E. Carter and D. Göktürk (eds) The German cinema book. London: British Film Institute, 248-56.

Göktürk, D., D. Gramling and A. Kaes (eds) (2007) Germany in transit : nation and migration, 1955-2005. Berkeley: University of California Press.

Goldsworthy, V. (1998) Inventing Ruritania : the imperialism of the imagination. New Haven, London: Yale University Press.

Gopalan, L. (2002) Cinema of interruptions : action genres in contemporary Indian cinema. London: British Film Institute.

Gopinath, G. (2005) Impossible desires : queer diasporas and South Asian public cultures. Durham, NC, London: Duke University Press.

Grieveson, L., et al. (2005) 'Introduction', in L. Grieveson, E. Sonnet and P. Stanfield (eds) Mob culture : hidden histories of the American gangster film. New Brunswick: Rutgers University Press, 1-10.

Guerrero, E. (1993) Framing Blackness : the African American image in film. Philadelphia: Temple University Press.

Gundle, S. (2007) Bellissima : feminine beauty and the idea of Italy. New Haven and London: Yale University Press.

Guneratne, A., and W. Dissanayake (eds) (2003) Rethinking Third Cinema. London, New York: Routledge.

Hall, S. (1991) 'The Local and the Global: Globalization and Ethnicity', in A. D. King (ed.). Culture, Globalization and the World-System. Houndmills, Basingstoke: Macmillan, 19-39.

Hall, S. (1993 [1992]) 'The Question of Cultural Identity', in S. Hall, D. Held and T. McGrew, (eds) Modernity and Its Futures. Cambridge and Oxford: Polity Press and The Open University, 273-325.

Halle, R. (2008) German film after Germany : toward a transnational aesthetic. Chicago, Springfield, Urbana: University of Illinois Press.

Hannerz, U. (1996) Transnational connections : culture, people, places. London, New York: Routledge.

Hansen, M. (1991) Babel and Babylon : spectatorship in American silent films. Cambridge, Mass., London: Harvard University Press.

Hargreaves, A. G. (2008 [1995]) Immigration, race and ethnicity in contemporary France. New York: Routledge.

Hear, N. van (1998) New diasporas : the mass exodus, dispersal and regrouping of migrant communities. Seattle: University of Washington Press.

Heathcote, O., A. Hughes and J. S. Williams (eds) (1998) Gay signatures : gay and lesbian theory, fiction and film in France, 1945-1995. Oxford, New York: Berg.

Hentges, S. (2006) Pictures of girlhood : modern female adolescence on film. Jefferson, North Carolina, London: McFarlane.

Higbee, W. (2007) 'Beyond the (Trans)national: Towards a Cinema of Transvergence in Postcolonial and Diasporic Francophone Cinema(s)', Studies in French cinema 7.2: 79-91.

Higbee, W. (2007a), 'Re-presenting the Urban Periphery: Maghrebi-French Filmmaking and the banlieue Film', in C. Tarr and R. Porton (eds). Beur Is Beautiful: A Retrospective of Maghrebi-French Filmmaking, Cineaste 33.1: 38-43.

Higbee, W. (2007b) 'Beyond the (Trans)national: Towards a Cinema of Transvergence in Postcolonial and Diasporic Francophone Cinema(s)', Studies in French cinema 7.2: 79-91.

Higson, A. (2000a) 'The Limiting Imagination of National Cinema', in M. Hjort and S. Mckenzie (eds). Cinema and nation. London, New York: Routledge.

Higson, A. (2000b) 'The Instability of the National', in J. Ashby and A. Higson (eds). British cinema, past and present. London, New York: Routledge, 35-47.

Hill, J. and P. Church Gibson (eds) (1998) The Oxford guide to film studies. Oxford: Oxford University Press.

Hill, M. (ed.) (1997). Whiteness : a critical reader. New York, London: New York University Press.

Hirsch, Marianne (1997) Family frames : photography, narrative, and postmemory. Cambridge, Mass., London: Harvard University Press.

Hjort, M. (2005) Small nation, global cinema : the new Danish cinema. Minneapolis: University of Minnesota Press.

Hjort, M., and D. Petrie (eds) (2007) The cinema of small nations. Edinburgh: Edinburgh University Press.

Hjort, M., and S. McKenzie (eds) (2000) Cinema and nation. London: Routledge.

Hobson, J. (2008) 'Digital Whiteness, Primitive Blackness: Racializing the "Digital Divide" in Film and New Media', Feminist Media Studies ISSN: 1468-0777 8.2: 111-26.

Holden, J. (2006) The Big Picture: The Regional Screen Agencies Building Community, Identity and Enterprise. London: DEMOS. Available online at

Hollinger, D. A. (2000) Postethnic America : beyond multiculturalism. New York: Basic Books.

Hooks, B. (1992) Black Looks: Race and Representation. Boston, MA: South End Press, 165-78.

Huggan, G. (2001) The postcolonial exotic : marketing the margins. London, New York: Routledge.

Huq, R. (2006) 'European Youth Cultures in a Post-colonial World: British Asian Underground and French Hip-Hop Music Scenes', in P. Nilan and C. Feixa (eds). Global youth? : hybrid identities, plural worlds. London, New York: Routledge, 14-31.

Huyssen, A. (2003) 'Diaspora and Nation: Migrations into other Pasts', New German critique 88: 147-64.

Imre, A. (1999) 'White Man, White Mask: Mephisto Meets Venus', Screen 40.4: 405-22.

Imre, A. (2005) 'Whiteness in Post-Socialist Eastern Europe: The Time of the Gypsies, the End of Race', in A. J. Lopez (ed.) Postcolonial whiteness : a critical reader on race and empire ISBN: 9780791463628; 0791463621 (pbk. : alk. paper); 0791463613 (alk. paper). Albany: SUNY Press, 79-103.

Imre, A.. (ed.) (2005) East European cinemas. New York, London: Routledge.

Iordanova, D. (2000) 'The New Russians in Film: Nostalgia for the Occupier, Commiseration for the Immigrant', Canadian Slavonic papers 17.1-2: 113-31.

Iordanova, D. (2001) Cinema of flames : Balkan film, culture and the media. London: British Film Institute.

Iordanova, D. (2003) Cinema of the other Europe : the industry and artistry of East Central European film. London: Wallflower Press.

Iordanova, D. (2008) 'Mimicry and Plagiarism: Reconciling Actual and Metaphoric Gypsies', Third text 22.3: 305-10.

Jeffers, T. L. (2005) Apprenticeships : the Bildungsroman from Goethe to Santayana. Basingstoke, New York: Palgrave Macmillan.

Jones, P. (2006) Teaching black cinema. London: British Film Institute.

Kalra, V. S., R. Kaur and J. Hutnyk (2005) Diaspora and hybridity. London, Thousand Oaks, New Delhi: Sage.

Kaur, R., and A. J. Sinah (2005) Bollyworld : popular Indian cinema through a transnational lens. London, Thousand Oaks, New Delhi: Sage.

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Kennedy, M. D. (2002) Cultural formations of postcommunism : emancipation, transition, nation, and war. Minneapolis: University of Minnesota Press.

Kilicbay, B. (2006) 'Impossible Crossings: Gender Melancholy in Lola + Bilidikid and Auslandstournee', New cinemas : journal of contemporary film. 4.2: 105-15.

Kim, Y. (2005) The family album : histories, subjectivities, and immigration in contemporary Spanish culture. Lewisburg: Bucknell University Press.

Klein, A. (2003) '"Make Way for the Bad Guy": Understanding Changing Social Anxieties Through the Gangster Film', in J. Gifford and G. Zezulka-Mailloux (eds) Culture + the state : Nationalisms. Edmonton: CRC Humanities Studio, 159-76.

Konstantarakos, M. (ed.) Spaces in European cinema. Exeter: Intellect.

Korte, B., and C. Sternberg (2004) Bidding for the mainstream? : black and Asian British film since the 1990s. Amsterdam, New York: Rodopi.

Kovacevic, N. (2005) Narrating post/communism : colonial discourse and Europe's borderline civilization. New York, London: Routledge.

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Kuhn, A. and C. Grant (eds) (2006b) Screening world cinema : a Screen reader. London, New York: Routledge.

Landsberg, A. (2003) 'Prosthetic Memory: The Ethics and Politics of Memory in an Age of Mass Culture', in P. Grainge (ed.). Memory and popular film. Manchester: Manchester University Press, 144-61.

Lazaridis, G., and M. Koumandraki (2001) 'Deconstructing Naturalism: The Racialisation of Ethnic Minorities in Greece', in R. King (ed.) The Mediterranean passage : migration and new cultural encounters in Southern Europe. Liverpool: Liverpool University Press, 279-301.

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Marciniak, K. (2007) 'Palatable Foreignness', in K. Marciniak, A. Imre and A. O'Healy (eds) Transnational Feminism in Film and Media: Visibility, Representation, and Sexual Differences. New York, Basingstoke: Palgrave Macmillan, 187-207.

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Martínez-Carazo, C. (2002) 'Flores de otro mundo: la pluralidad cultural como propuesta', Letras Peninsulares 15.2: 377-90. OCR REQUESTED BY LIBRARY (afp 18/02/2020) 

Massood, P. (2003) Black city cinema : African American urban experiences in film. Philadelphia: Temple University Press.

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Mennel, B. (2002) 'Bruce Lee in Kreuzberg and Scarface in Altona: Transnational Auteurism and Ghettocentrism in Thomas Arslan's Brothers and Sisters and Fatih Akin's Short Sharp Shock', New German critique 87: 133-56.

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Moltke, J. von (2005) No place like home : locations of Heimat in German cinema. Berkeley: University of California Press.

Moore, D. C. (2001) 'Is the Post- in Postcolonial the Post- in Post-Soviet? Toward a Global Postcolonial Critique', PMLA 116.1: 111-28.

Moorti, S. (2003) 'Desperately Seeking an Identity: Diasporic Cinema and the Articulation of Transnational Kinship', International journal of cultural studies 6.3: 355-76.

Moreiras, A. (2001) 'The End of Magical Realism: José Maria Arguedas's Passionate Signifier', in The exhaustion of difference : the politics of Latin American cultural studies. Durham, NC: Duke University Press, 184-207.

Morley, D. (2000) Home territories : media, mobility and identity. London, New York: Routledge.

Morley, D., and K. Robins (1995)Spaces of identity : global media, electronic landscapes and cultural boundaries. London, New York: Routledge.

Moyano, E. (2005). La memoria escondida : emigración y cine. Madrid: Tabla Rasa.

Munby, J. (1999) Public enemies, public heroes : screening the gangster from Little Caesar to Touch of Evil. Chicago: University of Chicago Press.

Naficy, H. (1994) 'Phobic Spaces and Liminal Panics: Independent Transnational Film Genre', East-West film journal 8.2: 1-30.

Naficy, H. (1996) 'Phobic Spaces and Liminal Panics: Independent Transnational Film Genre', in R. Wilson and W. Dissanayake (eds) Global/local : cultural production and the transnational imaginary. Durham, London: Duke University Press, 119–44.

Naficy, H. (2001) An accented cinema : exilic and diasporic filmmaking. Princeton, Oxford: Princeton University Press.

Naficy, H. (2003) 'Theorizing "Third World" Film Spectatorship: The Case of Iran and Iranian Cinema', in A. R. Guneratne and W. Dissanayake (eds) Rethinking Third Cinema. New York, London: Routledge, 183–201.

Naficy, H. (ed.) (1999) Home, exile, homeland : film, media, and the politics of place. London, New York: Routledge

Nair, P. (2001) 'In Modernity's Wake: Transculturality, Deterritorialization and the Question of Community in Iciar Bollain's Flores de otro mundo (Flowers from Another World)', Post script : essays in film and the humanities 21.2: 38-49.

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This list was last updated on 07/01/2021